Son of Mixerman
Mix Junior
pipelineaudio said:
This is sage advice!
What is sage? Is that an acronym or sumthing.
Did I just get insulted?
SoMm
pipelineaudio said:
This is sage advice!
auburncatfish said:I don't think it's too complicated.
For the most part we're working against the pros, by cutting them out. They're working against us by making us come to them for "better" sound.
But the point of all this may be getting lost in gear and people and money. The point of all this is music, good music. What the human ear finds pleasing. I believe that a guy at home with average equipment, can make better music than a pro.
We can be relativistic about music real quick, by dismissing music bassed on mics and pre-amps and crap that doesn't have to do with the song. I think the key to a successful home recording project is to be simple. To embrace the fact that you're a home-recording musician and make it part of your sound.
We ARE more original than pros because we're rogues. We don't comply with the formula that sells, but we use our own that may or may not work.
Harvey Gerst said:Oh, please!! Gimmeafuckinbreak! That's pure horseshit.

Harvey Gerst said:Oh, please!! Gimmeafuckinbreak! That's pure horseshit.

Harvey Gerst said:Oh, please!! Gimmeafuckinbreak! That's pure horseshit.
tanlith said:if I had the facilities to record someone's band and they fell short on cash with only about 2-3hrs of work left to do on the master you would not hear me saying "Well, why don't you come back when you have the money and we can sew this puppy up." and stick them out on the street. What you would hear me say (And I'm pretty sure I speak for most of the decent folk here when I say this) is something like this: "Look, don't worry about the cash. Let's get this thing finished properly for you so you've got something to shop around. We can work something out later."
But I'm not coming from the perspective of "big-time-studio-owner," but I have worked in a lot of creative fields where I've been in similar situations to the one you describe.
I know people who work less than 30 hrs a week on their full-time jobs.
Eventually what was originally your well-intentioned generosity has turned you in to an indentured servant with no outside life, basically working for free.auburncatfish said:...I believe that a guy at home with average equipment, can make better music than a pro.
auburncatfish said:Harvey you're right, I am full of it most of the time.
Stay cool, this thread's too serious for me.
Harvey Gerst said:And a large number of studios in the area know that I'm always willing to help them out anyway I can, from loaning them equipment if they need it, to free use of our studio if their studio goes down.
And our "pay by the song, not by the hour" policy means that every group will get all the time they need to get the music right, regardless of how long it takes. We've even redone whole albums, because we weren't happy with the results, and we redid them for free.

pipelineaudio said:Main Entry: sage
Pronunciation: 'sAj
Function: adjective
Inflected Form(s): sag·er; sag·est
Etymology: Middle English, from Old French, from (assumed) Vulgar Latin sapius, from Latin sapere to taste, have good taste, be wise; akin to Oscan sipus knowing, Old Saxon ansebbian to perceive
Date: 14th century
1 a : wise through reflection and experience b archaic : GRAVE, SOLEMN
2 : proceeding from or characterized by wisdom, prudence, and good judgment <sage advice>
synonym see WISE
chessrock said:
Tanlith, are you the type who goes to get the tires changed on his car, gives a sad look to the guy, saying: "I only have money for 3, can you just spot me a break this one time and throw in the fourth one, pretty please?" No, you fucking moron. Pay for your goddamn tire and shut the fuck up. Contrary to your distorted beliefs, the owner of that tire shop might have expenses, a family, and/or a need to make money . . . just like Tanlith.
BTW: I do hope your handle isn't also the name of the studio where you work... if so... piss poor way of advertising....
