I started with a nylon string spanish guitar given to me by my grandpa. It was made in Spain if I remember right. Manufacturers name started with a V.
The neck was about 3 inches wide. The only way I could get lessons was in the church choir. So in church I learned how to strum A, D, G, and C chords, then I came home and tried like hell to play Crazy Train, Diary of a Madman, and ACDC. It was 1982, and I was 12 years old.
The problem was, no matter what you played it came out sounding like "Bolero". So what did I do to this beautiful sounding spanish guitar? I put steel strings on it. NOW, it sounded like a rock guitar. Only problem was it bowed the neck and pulled the bridge up, giving me about a solid 3/8" or 1/2" string height on the smaller frets. It was brutal. That was the only guitar I had for the next 4 years.
Then for Christmas, 1986 I got a Mako RR Flying V, and a 35 watt gorilla amp.
Compared to my mangled steel strung classical with 1/2" action height, this was a DREAM. I had already learned to play Randy Rhoads stuff on that super high action, and now on this low action, thin necked guitar, I was FAST!
Unfortunately, the Gorilla sounded like fried ass. It had a "tube drive" switch that made it sound like fried, scrambled ass. I got
a boss DM-2 Analog delay pedal, and a Chorus pedal, so it least it sounded like nicely delayed, and modulated fried ass. Eventually I got a red and white memphis strat. I loved those guitars. I hated that damn gorilla amp, though, and still do!