TimOBrien said:Lot depends on what your soundcard supports.
You won't record 24-bit if your soundcard is only 16-bit capable.
(but you didn't bother to give us any useful info... we're not psychic!)
Otherwise telepaul is right.... go with 24-bit/44.1kHz and you'll have to convert it down to 16bit/44.1kHz before you make an audio CD.
It depends on your RAM also. 24 bit eats up RAM. I've tried with my pc, and had to go back to 16 because mine won't handle it. Lot's of skips, freezing up. If you have a good, fast pc that is optimized for audio aps, 24 is the way to go. If you are like me, who records on an MR-8 and mixes on pc, you have to stay 16...TimOBrien said:Lot depends on what your soundcard supports.
You won't record 24-bit if your soundcard is only 16-bit capable.
(but you didn't bother to give us any useful info... we're not psychic!)
Otherwise telepaul is right.... go with 24-bit/44.1kHz and you'll have to convert it down to 16bit/44.1kHz before you make an audio CD.
Robert D said:Bit Depth, not Bit Rate. Bit rate is for Mp3 encoding and the like.
MessianicDreams said:i would even suggest going 24bit/48khz. 48k allows less brutual digital viltering than 44.1k does. here's a lil bit of info on bitrate (also called wordlength):
you can count about 6dB of dynamic range per bit.
Isn't that what "meatloaf surprise" is for?What about the left over bits?