Thanks a lot guys.
Lt boob, the bass is a plain old cheap Squire P-Bass. I think I paid like 175 for it new about ten years ago. To my untrained and uncaring bass ears, it feels and sounds no different really from a real USA P-Bass. The bassist in my band has two $1000+ American Fender P-Basses and while they feel a little heftier, they don't sound appreciably better than my shitty Squire version. Not the way I play and amp it anyway. In fact I prefer the thinner neck and lighter body of my bass. I play hard and fast with a pick and amp it pretty much like I would a guitar - with gain and midrange. I'm not exactly sure which specific model amp it is. It's like a 300 watt combo, Ampeg, 2x10. I think it's called a B210 or something like that. It's not mine. I take it home with me from the band practice space when I know I'm gonna be tracking some bass. It's a cool sounding little bass combo though. It's got DI out and stuff like that, but I usually just mic it with a 57 or my kick drum mic. Miking it gives me a punchier and brighter sound that cuts through my mixes better. I've never been a fan of low rumbley fat bass tone. I like it to attack. So that's what I go for. There's no real trick or secret or anything. I just dial in the tone I like and get after it. I will admit though that I am pretty badass at tweaking bass tones. I sneak over to my bassist's rig all the time and tweak his shit. Lol. Anyway, I mic the speaker like I would a guitar cab as well. Right up close and somewhere near the center. Low end is never really a concern to me because it's a bass. I've never had any problem with low end as far as I'm concerned. Bass guitar naturally has enough low end on it's own, so I don't do anything to boost it or enhance the lows. I use GHS Boomer strings 40-95. The strings are very fresh on this song, so that may be a big part of the bass tone. I only have like maybe 3 hours on them. I usually go years between string changes. Let's see what else....I compress the bass in the DAW. I compress it pretty hard. Playing with a pick and miking the speaker can give you some spiky transients not unlike finger slap when playing with fingers. When necessary I bash those down with hard compression and it helps to bring some fullness into the whole bass track. And lastly, I play awesome. That helps too.