J
jbroad572
New member
Can't find hardly anything on these mics. How do they fare against the NTK? How would they be for female r&b/jazz vocals? How about saxophone?
I can't afford the K2 at the moment, but was considering the T3 over the NTK or the 4050. I do have an RE20 for my sax and male vocals, so overall just looking for something to compliment females to give a more warm, intimate feel. . I was going to purchase the T3 used on Ebay for $370, but I am guessing that is too much.kidvybes said:...if you can pick up a clean used one (they go for around $300 on Ebay) I would rate the T3 as the best value of the Chinese manufactured tube mics...made by 797Audio (known for very consistant capsule quality) the T3 with it's multi-pattern cabability is a bargain at that price...not quite the quality of the Rode K2, but definately more versatile than the NTK...upgrade the tube with an NOS GE 6072 tube and you've got a steal of a deal...Studio Projects best mic IMHO...
...I do however agree with Richard that a sax is best miked with a dynamic or ribbon microphone...
*****at the T3's "new stock" street price of $499. I would suggest saving the extra $50-100. it would take to get the Rode K2*****
Getaway Driver said:I have owned the NTK and in my opinion, it is too spitty and "scratches" the ear after a while.
That's true but it can also be said of a great many guitar valve amps. No matter how good a Laney VC-15 sounds for the money, it could always do with some EH or Groove Tubes in it.kidvybes said:...a tube "transplant" (preferably a NOS Siemens E88CC/6922) will eliminate that annoying tonality you're referring to in the NTK...the T3 also benefits from a better tube (a GE 5-Star Black Plate 6072 in this case)...in both cases, a good investment...seems the stock Russian/Chinese tubes spec out well but somehow impart a sonic character that doesn't really do these mics justice...just my $.02...
