Innovations said:
Well I am shopping for mics right now and when this came up I thought 'How often would I use anything but the cardoid pattern? And the answer was...never! So fror the extra money I would rather have a shockmount or a case or a bass rolloff switch or an attenuation pad, or a stand, or a pop filter or some extra soundproofing in the room....you get the idea.
Really? Never? Maybe you should broaden your sonic horizons and hear what you've been missing. Here are just a few applications I can think of where a multiple patterned mic can be used to great effect. I'm sure there are many, many more.
Omni:
1. Room mics
2. Clarinet/Sax
3. Close micing percussion
4. Close micing
acoustic guitar near the bout and sound hole (try this with your cardoid)
5. Over-the-shoulder stereo micing technique for acoustic guitar
6. Drum overheads in a good sounding room
7. Spaced pairs because of their smooth, flat response
8. Close or distance micing piano
Figure 8:
1. Sounds great as a single mic on acoustic guitar
2. Using two to record a singer/guitarist with minimal mic bleed and maximum seperation
3. Mid-side (MS) stereo configuration
4. Any application where you have two instruments and only one mic