E
elil
New member
Comments on the MK-012 and MC012 and a question 'bout the 2500....
OK, I've been recording for a while and have always used a mismatched pair of LDCs as my OHs. It's sounded OK, but I saw it as a weak spot in my recordings. Recently, I've turned recording into a living and have been trying to take all the steps I can to bring my game to the top. I've been reading the forums here for the last 2 days researching my options and I've decided that the MK-012s were the way to go. I also read about the GC blowout and did my research on the chinese knockoffs.
Well, I can get them for approx $150 a piece brand new.... but I did a little more research and found a GC in my area that still had a few of these mics left.... only one problem: one was russian and the other was chinese. I explained to their manager that I was familar with the history and got them down to $50 per mic! He also through in an MKL-2500
(definately authentic, serial #, russian letters, etc.)!!!
Now I did some tests on the two (acoustic guitar @ the 12th fret 8", both mics next to each other, flip the mute swiches on a recording). The Russian is clearly superior in dynamic representation. It has a very crisp and warm tone and I'm definately in shock that I was able to get it for as little as I did!! The chinese knockoff was definately quiter (had to boost the input gain), but didn't sound too different. I noticed that the highs are a little harsher and generally the dynamics aren't as well preserved.
However, I wanted to use these for OHs. I still haven't tried them on drums... waiting for my next drum session on monday. I tried putting the mics in an XY config and recording the same acoustic as a stereo signal.... and DAMN! I was blown away by the way these two mics were able to work together. I flipped the pans, and no matter what I did the stereo image and dynamics of the guitar were crystal clear. I can't wait to try them on the drums... I don't think the slight sonic differences between the two will be as noticable, maybe I can use it to calm the hats on one side and sharpen the ride
.
Either way... here's my question 'bout the 2500: It's definately the russian make... comes in the original casing, with PSU, and mount.... BUT, it's lacking the cable between the mic and PSU
. Does anybody know where I can get this cable; it appears to be an XLR sized cable that goers from 6 - 7 pins?
I'm guessing that GC swapped out the cable for one of the customers with the chinese knockoff w/ the infamous hum problem.
Thanx for reading this. Hopefully it's helpful to somebody out there!
OK, I've been recording for a while and have always used a mismatched pair of LDCs as my OHs. It's sounded OK, but I saw it as a weak spot in my recordings. Recently, I've turned recording into a living and have been trying to take all the steps I can to bring my game to the top. I've been reading the forums here for the last 2 days researching my options and I've decided that the MK-012s were the way to go. I also read about the GC blowout and did my research on the chinese knockoffs.
Well, I can get them for approx $150 a piece brand new.... but I did a little more research and found a GC in my area that still had a few of these mics left.... only one problem: one was russian and the other was chinese. I explained to their manager that I was familar with the history and got them down to $50 per mic! He also through in an MKL-2500

Now I did some tests on the two (acoustic guitar @ the 12th fret 8", both mics next to each other, flip the mute swiches on a recording). The Russian is clearly superior in dynamic representation. It has a very crisp and warm tone and I'm definately in shock that I was able to get it for as little as I did!! The chinese knockoff was definately quiter (had to boost the input gain), but didn't sound too different. I noticed that the highs are a little harsher and generally the dynamics aren't as well preserved.
However, I wanted to use these for OHs. I still haven't tried them on drums... waiting for my next drum session on monday. I tried putting the mics in an XY config and recording the same acoustic as a stereo signal.... and DAMN! I was blown away by the way these two mics were able to work together. I flipped the pans, and no matter what I did the stereo image and dynamics of the guitar were crystal clear. I can't wait to try them on the drums... I don't think the slight sonic differences between the two will be as noticable, maybe I can use it to calm the hats on one side and sharpen the ride

Either way... here's my question 'bout the 2500: It's definately the russian make... comes in the original casing, with PSU, and mount.... BUT, it's lacking the cable between the mic and PSU


Thanx for reading this. Hopefully it's helpful to somebody out there!