wow!!out of the threads,guitar players really know how to stick it to each other.yeah ,i got a stratocaster in 1982,for my 16th birthday,actually i paid 250$,my parents paid the other 200$.brand new strat in sienna sunburst,anybody know this color?it was the sweetest stratocaster i have ever played,some guy in sweden taught me that those six screws right in front of the bridge saddles?if you put them at the exact same tension,your bridge stands a better chance of staying in tune,plus,there is the obvious trick of pulling it up in reverse in order of putting back in tune,but i had played it so much for so many years,it becomes second nature keeping it in tune.but anyway,when i moved to s.f. with that strat,this deadhead i knew,let himself in when i was at work,and stole the strat and disappeared(he didn't play guitar,he stole it for cash,and it was the day aftert i told him that the only thing in life i ever cherished was my stratocaster)if i ever ran into that guy ,i would seriously put the hurt on him for ever stealing my first love.ironically enough,about 12 years later,i went into real guitars(a vintage store in s.f. )and saw that strat hanging up for sale for 850$!!!the guitar had gone full circle,and doubled in value,i was livid!!!!i said "hey that's my guitar!!!where did you get that?!!!"their attitude abruptly changed from amiable salesman to untrusting sheister. they started really getting defensive,but i reached back in the vaults of my limited brainspace realized that i filed a police report in 1987,back when cops wrote up police reports on small pieces of paper,and filed them in the forget me file,computers had not quite hit the crafty san francisco police department until the mid 90's,so,i had no way of proving that was my guitar,some people would say,how do you know it was your guitar?but every guitar player i know ,understood the story,if you know your ax,you know it,the original whammy bar had broken off ,so i replaced it with the vintage wider angle bar,which i thought looked cool,that whammy bar was still on it,and if you know strats,you know that wasn't the whammy bar they came with in '82.but the guys in the store when i pointed it out claimed ignorance,like what was i talking about,plus the distinct dings i left on the neck,and the way i play rhythm is very rough and leaves a serious kind of markings on pickguards,besides that feeling when you walk in a room and something just smacks you in the face until you wake up and take notice.the guitar was screaming at me"hey!!!where ya been!?"ok i have gone into tangentville,so then who's bitching?i had owner's insurance and bought a nice 1962 reissue strat in 1988,i forget if japan made them ,or america,anyone remember?that took me about a year to get a right feel for,and then that was stolen out of a van,for shame,no insurance money this time!!!!!!arrggggh!!!my stratocaster luck hasn't been the same since!!!though i am missing having that amazing tone.a lot you peoples are talking about these souped up hot rodded strats,i like the way they are completely stock,ok,they definitely need serious adjustments,but once you get intonations,action,all that good stuff worked out,the guitar plays itself. iwent to teles in 1998,because,i thought i needed a new sound ,and all these young cats had all bought strats because of srv(i have asshole opinions,about a lot of things,so i'll keep my mouth shut)but i needed to sound a little different and tele be the answer,but i miss being able to switch the tone gradually,and bending the notes,and that chicken clucking sound only
a real strat can produce.anybody play the new american series?should i invest in that vs. the re-issues,which cost like 500$?