I hate to beat a dead horse but if I could borrow your stick for a moment
1. No one anywhere is saying that cheap gear sounds as good as professional gear
2. No one is suggesting not buying the best that you can afford
3. No one is suggesting that the worldy sages know less than mere mortals....thats experience of course they do...but its hard to respect attitude sometimes
4. There is obviously a wide range of users on this forum from all levels so the "one attitude for all" will not work...not all of us want lead by the nose to top professional levels..well not yet thats for sure
but..
I spend little, enjoying what I do...I will upgrade when and where I find it necessary..I spend to a budget which I research and control as tightly as possible, (I havent worked for two years)..I am prolly not alone in some of this
Now if every noob is going to met met with coy, fishing, drag them out of their shell posts..well I dont think they'll give up making music but I wonder how many give up with this forum?
Maybe some of you experienced guys need to rethink why exactly you come here..is for bragging rights? is it to help? for sense of community? a place to show your skills? to nurture talents that resembled yours at some point? or to bounce about forums with your chests puffed out leaping to each others defence?
because you have to wonder...
I stopped reading around the 4th page, haha, but here goes...
Solid post. I've been on here since 05 but I rarely lurk because of the section in bold. Though this site can be and has been extremely helpful. You just gotta try to pick through the egos and find the jewels, ya dig? I doubt anyone started with neves and neumann's just like I didn't start out driving in my A4. A reality check can be nice, but don't come at a self proclaimed "n00b" and squash his stepping stones. So try to ignore the attitudes and take in the advice, at least a little bit.
I, personally, on a complete hobbyist level, love recording in my bedroom with limited gear. SM57/58, sennheiser e609, studio projects B-1, through a DMP3 into a macbook. For me, again just how
I roll, I don't have a full band so I have to track out all the necessary parts myself. I use my recordings for songwriting purposes mostly, and hey, I've been getting better and better recordings almost every time. You try, you fail, you try some more damnit!
Which inevitably leads to my next point:
I thought that since Im being mentioned here as an elitist...Id try to help the OP...Dont buy a mic...rent an hour or two in a local studio where you will have access to a nice room and some nice mics and preamps...that usually costs arround 40 bucks an hour and if you know the vocals well you might just whip it out quickly...so practice.
If you want your recordings to have "playlist quality" this is most likely your easiest option. Keep in mind though, some studios might be run by cats that might not have the ear for your recordings.
I typed too much. Plain and simple,
keep on keepin' on.
This stuff can be frustrating, but can also be one of the best feelings.
