Signal path
OK, the track was recorded live in a one-room basement studio, roughly 14x20x7. I've been trying to keep things really basic and just capture the vibe of what I'm recording. I love the fact that this track "feels" like a late-night track. I also LOVE the guitar tone we were getting.
Microphones:
- AT-4033 on guitar cab
- I think it was a SM57 on the bass cab (I'll check tonight)
- 2 Peluso CEMC6s on drum overheads (close to an ORTF config)
- AT-2500 on kick
Preamp:
True Systems Precision 8
Soundcard: RME Fireface 800
Software: Cubase SX3
Aside from reverb- there's very little processing on the tracks.
-No EQ on any of the tracks - just mic positioning.
-Mild compression on the drums (2:1).
-some compression on bass.
That's about it.
More...
Guitar:
Fender American Strat (no mods)
Fulltone OCD (drive around 2 oclock, hp mode, tone just left of 12 oclock)
Mesa Boogie Mark IV -- Rhythm channel 1 (2x12 cab closed back cabinet)
Bass
late 80s Peavey 4 string
SWR 750X (
Goliath III and
Son of Bertha cabinets)
Yours truly on Drums
Mapex Black Panther Snare
Tama Rockstar kick and toms
Zildjian HiHats, "A" Crash and "K" CrashRide
Sabian "AAX" Crash
I've been busy recording other artists, so this was the first time I actually got a chance to play drums in over six months - I forgot how much I miss it!!! Kinda hard to set levels and engineer from behind the kit, but it sounded OK I guess.
All my clients have been very happy with the guitar tones I've been getting in the studio. I usually use a three-mic technique, but lately I've been able to dial in a great sound with just an LDC (in just the right spot).
I usually go direct with the bass, but this was just a jam so I miked the cabinet.
Questions and comments welcome! Tnx again, Rez