so, let me get this straight....higher end stereo speakers are no better than the $400 monitors I had my eye on, so long as I'm familiar with how my speakers color my mixes?
no ...... what I said is that higher end stereo speakers are probably
better than a set of 400 dollar monitors.
People can believe what they want but anything moderately priced isn't "engineered to be flat" anymore than any other speakers are.
As a practicing audiophool I can tell you that we want as accurate as possible, popular misconceptions to the contrary.
There are no magic design parameters that guaruntee a flat speaker because if there were .... all the manufacturers would use it and all the speakers would sound the same. But all you have to do is look at a response curve on them and they're clearly all very different.
They get designed like all other speakers do .... by starting with a design and then tweaking it by ear.
And at this moment in time the only really flat speakers out there are of significant cost. Really like 1500 a pair and up. Personally, I'd rather use a good pair of stereo speakers ..... something by Focal or Totem of Paradigm.
But there's some awesome pro-audio monitors out there too.
Personally I can't afford that stuff but I have heard it and wish I could. Pretty amazing stuff.
But at the price levels we tend to pay, it's a mistake to think that just because something has the words 'studio monitor' in the name, it was engineered in some special way to be flat. They're stamped out by some factory in Malaysia or somewhere and all vary from flat by a good margin.
That's why some people here prefer certain monitors while others prefer something else and don't like the first ones .......
because they're all so different and thus, not flat.