M
moresound
Loud Sun Studios
so can you make my shit louder, or what?
Don't know James I can hear your sh!t from here.
so can you make my shit louder, or what?
That's exactly what I was saying. Is it a better way to listen to music or the right way to produce it? Probably not, but it is what it is. The people that actually buy music want it loud.holy crap. go away for a week and come back to a mess. hahaha.
by no means would i think louder is better. just turn up the fuckin faders if you want to hear an awesome and dynamic mix. but people who are listening to the types of music i am doing aren't audiophiles and immediately dismiss a band/mix if it isn't as loud/louder as Joe CurrentProducers mix. they mistake loudness as power and the ability to be "brutal". a problem with the current generation of kids.
but yea. nevermind. haha. thanks everyone for the response however.
that's it. It is what it is.The people that actually buy music want it loud.
I couldn't possibly disagree with that statement more in every possible way. The people that actually buy music want a level of consistency to the volume -- And most of them don't even know it. The "make it loud" part has always been a pissing contest between artists and labels. If the average listener actually knew the damage that was being done to the sound, there would probably be an uprising.The people that actually buy music want it loud.
I couldn't possibly disagree with that statement more in every possible way. The people that actually buy music want a level of consistency to the volume -- ...
If the average listener actually knew the damage that was being done to the sound, there would probably be an uprising.
I have never run across one person anywhere who decided to like or not like a song based upon how loud it is, even if it is buried in the middle of a loud playlist. If they like the song, they like the song, and they'll play it. If they don't, they won't.The people that actually buy music want it loud.
yeah probably on the last fm app eh??
That's personal to you not everyone, doesn't annoy me!
Muzza
And this from the guy that just got through stating in another thread:Look dude, it's a simple form of supply and demand.
Not the rantings of someone who cares about supply and demand.Greg_L said:You gotta luck out, sell out, and be a suckass to "make it". It's pointless to even try...Do music because it's fun, and make a living some other way.
And before you guys get even angrier, let me say that I'm not a loudness guy. I'm not pro loudness, I'm just not blindly anti loudness because I like to yell at kids to get off my lawn. Most of the stuff I listen to is old and undeniably not loud. The main complaint from people that buy my music is "it's not loud enough". I had one guy tell me, "it's cool, but in my truck, I had to listen on 12, and usually 8 is way loud enough."![]()
I let the neighbor kinds play on my lawn all the time.And before you guys get even angrier, let me say that I'm not a loudness guy. I'm not pro loudness, I'm just not blindly anti loudness because I like to yell at kids to get off my lawn.
Poor baby.I had one guy tell me, "it's cool, but in my truck, I had to listen on 12, and usually 8 is way loud enough."
I don't care about supply and demand, and don't conform with my own music. I'm not interested in making a living off of music in any form, so I can do and say whatever I want. The fact remains though: Bands/labels/studios that are in it for the dollar make loud mixes. That's the supply and demand I'm talking about. The demand is for loud, modern mixes, so it gets supplied.And this from the guy that just got through stating in another thread:Not the rantings of someone who cares about supply and demand.
Again, it depends on your goals. I personally have none, so I'm not worried about loudness. Joe Emo rock star might want to make it big, so his stuff has to sonically compete with everyone else. Simple truth. I'd like to think that songwriting matters, but it doesn't so much anymore.You can't have it both ways, brother. You either gotta make music the way you want to and not sell out, like you suggest one minute, OR worry about supply and demand, sell out, and crush your music into crap like everyone else so the teeny boppers in the mall are happy and you are not, the way you suggest the next.
Those are good examples of negative. You gloss over the millions of albums and singles though that do sell very well and are loud as shit. Like Green Day. Their stuff is loud and proud these days, and it still sounds pretty decent.And I'm still waiting for one instance where an increase in loudness made a difference in it's or the act's popularity that wasn't negative. We all know the negative examples in Metallica, RHCP, the Beatles, etc. Where are the positive ones?
G.
I agree. So what? I laughed in his face. I got his money, I don't care what he thinks. He probably won't buy another one though. See the conundrum? This guy is a classic example of the music buying general public, and the lack of loudness probably turned him off to my next album.So what? Did he like your music? Did he tell you that he liked it, but the volume was enough to turn him away from it?
G.