P
Papanya420
New member
Like Erik West Productions on Facebook. Just starting out and a lot to learn....
01 - Erik Westerlund - She's Got A Way.mp3 by E Z Beatz on SoundCloud - Create, record and share your sounds for free Billy Joel cover song by me. Just a tidbit.
John C,
My response was for Andybhoy's photograph BUT headphone monitoring for mixes is an whole other ballgame & something you should wean yourself from. The h/phones aren't "accurate" in the way you'd want them to be for mixing: great for detail, adequate in a pinch when you can't play things that'll wake up the baby but not the right set up for mixing.



Haven't been to this neck of the woods in a while, I recently moved my studio from my bedroom into what was an old storage room. A bit crap but
I love it. My gibson is in a case next to my amp, should of got it out. My filing cabinet AKA mic locker as a pair of Avantone CK-1's, Matched pair of SE1a's (in one of the pics), SE2200t, SM57, Blue Baby Bottle, C1000s and a couple of others not worth mention.
View attachment 69924View attachment 69925

THANKS jimmys69 . . . I have my 10 posts !!
So let me try again. Here are my studio photos from my studio web site.
While you're there, check out my other web pages.
Studio Photos:
PC Studio Photos
Thanks
Ed
LOL. After all, we are all judged by the mixes we put out . . . not our investment in audio equipment. Over the years, I've listened to a lot of crappy sounding demos come out of "big L.A. studios".
somegeezer,
Yeah . . . The monitors look tiny in the pictures. Its just wide angle lens magic. They are the 8" M-Audio BX8, powered ones. My partner loves them for his "Hip-hop/R&B" stuff. Not in the picture are my 1991 Audix HRM3 that currently sits next to the M-Audio. I know my HRM3 intimately. I've A/B'd comperable newer Dyneaudio, Mackie and JBL . . . My HRM3 always won out.
Thanks jimmys69. I hope I'm putting out mixes that sounds a lot bigger than my studio footprint,LOL. After all, we are all judged by the mixes we put out . . . not our investment in audio equipment. Over the years, I've listened to a lot of crappy sounding demos come out of "big L.A. studios".
somegeezer,
Yeah . . . The monitors look tiny in the pictures. Its just wide angle lens magic. They are the 8" M-Audio BX8, powered ones. My partner loves them for his "Hip-hop/R&B" stuff. Not in the picture are my 1991 Audix HRM3 that currently sits next to the M-Audio. I know my HRM3 intimately. I've A/B'd comperable newer Dyneaudio, Mackie and JBL . . . My HRM3 always won out.
The Iso booth is 8ftx10ft and the control room is 14ftx10ft. Its about half of a 2-car garage. The other half of the garage has finished walls and has minimal acoustical treatment. That is where guitar and vocals do their scratch track when the drum & bass is being tracked. Drum kit in the iso-booth, bass is direct. No sliding door, standard swing door.
As you all know, in a small control room like mine, the "sweet spot" for mixing is a sphere about 36" in diameter around your head in the mix position. Just a reminder, return to your sweet spot for critical listening. All my monitors sits higher than my seated ear level and they are angled down to focus at the mix position, 4ft away from the monitor face.
Just doing what I can in the available space
Ed
I see your Godzilla and raise you Treebeard.
![]()
I feel other than the obvious lava lamp, everyone needs something quirky like these too. =P