Yeppers -- Tyler Decade D1's.
Ah geez... Don't even get me started on that [SELF-CENSORED] thing... All due respect and all, but the 8200 wasn't for me.Where is the GML?
I wouldn't really even want to call the 8200 "crap" on its own --- It's a great sounding unit if you're using it for tracking or mixing, or if you're lucky enough to get a unit that's actually reasonably matched from one channel to the other. I know plenty of mastering guys that have them and love them - along with a couple that had the electrical know-how to pull the pots and replace them with rotary switches (at which point they could've and should've just bought the 9500 anyway).
Yep - The 9500 (?) had rotary switches and dual power supplies (and if I recall, a 12dB instead of 24 dB throw). It (the 8200) was one of those "how can I go wrong?" purchases that -- well, it all went wrong. Three times.
Where's the US1800
Just not quite as sexy. Oh and I would have to move the Furman to another place, as the 1800 has an external power supply that wont fit in the space. The Tascam is very deep - power conditioner not. The rack there is on wheels so I can turn it to face the drums directly to its left for self level check, and wrapping the front input cables works best with it on top. They get moved around every other day here. If Tascam would have made the XLR jacks on the 1800 'combi' jacks, I would buy it immediately and build a patch bay to remedy the cable situation. I got a guy/friend that gives/makes me cables. He is an audio system installation dood that I traded a bathroom remodel/tile job for cables. He ran snakes and wired pretty much everything here. I have a 8' X 13' wall filled with nothing but cables he gave/made me. 
I know right? Like lipstick on a dog. That one was $2 at Goodwill. I'm thrifty.
