miroslav
Cosmic Cowboy
I would testify that I much prefer Ian Anderson's attitude:
Yeah...that's what I'm talking about.
There's a lot of subconscious shit that floats around. I've heard it in a lot of songs, and I doubt anyone thought, "Ooh, I'm going to steal that chord progression".
TBH...one of the reasons I tend NOT to listen to a lot of other peoples music these days, is because when I'm in a song writing groove, I simply don't want anyone's stuff subconsciously floating into my head.
Sometime I'll even stop and think hard about what I am writing/playing to see if it's sounding like any song I might have heard...but that said, I've certainly been influenced by songs I heard, and then it is a conscious thing, where I know what that song sounds like, and I will try and mimic the feeling, the non-specific essence of that song, and avoid anything that is going to directly suggest that song from within mine.
I dunno...I'm not saying Page wasn't possibly, subconsciously or consciously influenced but the chord sequence...but man, I can't help but notice how different STH is, as a whole, when you get past those three chords...and it is that which IMO, makes it hard to say that STH is "stolen" or that it infringes on the copyright of "Taurus". Overall...two different songs, IMO.
At any rate...the jury will certainly have it's say, and I only hope they understand what it is they are listening for...because again, they should consider the complete compositions, not just three chords.
Yeah..Ian Anderson has the right perspective...totally.