I Need Help Identifying a Specific Microphone

E

evansste

New member
I'm seeking help identifying a microphone that I've seen in a YouTube video. It's a desk microphone, and its quality and capability are quite noticeable. However, the creator of the video, doesn't tell us which microphone she's using. I've asked in her comment's section. However, I haven't received a response. For this reason, I'm hoping that an audio community, with experience in audio equipment, may be able to help.

I've attached a still image from the video. In this image, you'll see that she's pointing at the microphone, on her desk.

Screenshot from 2026-01-23 23-02-45.webp


Can anyone identify this microphone? I love the quality, and am seriously considering using one, in order to make videos.

If you want to watch the whole video, here's a link:



If you're able to identify this microphone, then I'd love to hear from you. Her audio is fantastic, and she doesn't even have to be that close to the microphone. I'd love to know what she's using.

Thanks for your time and attention. Any insight is greatly appreciated.
 
This is some really great input. Thanks, everyone.

"gecko zzed", you say that you have one. Would you be willing to confirm whether or not it works while your mouth is about two feet away from it?

This is the aspect that got my attention, most, when I watched her video. It's just setting on her desk, a few feet away. Yet, she has great audio. When I look at a lot of the people using the NT1, in other videos, their mouth is only a few inches away. Perhaps this is just the way that most professionals record.

Her microphone does look like the Rode NT1; as many of you are pointing out. However, after a few quick searches, I don't see anyone using it at a distance of a few feet. Is it that the microphone is capable, but they're just not doing it?

Thanks, again, for all of your input.
 
ah - you're getting confused about the image vs the sound. I have recorded choirs with NT1s from a distance of 4 or more metres away - and the output level, and internal noise mean distance is no issue at all. It is not a low output mic like the Shure SM7B. However, they are actually more troublesome close in. Not in any 'faulty' way. They are a fairly normal studio large diaphragm microphone, and if you go in close they pop and blast from your nose and mouth air flow. The cure, like ALL studio mics is pop shields. Either the mesh type, but that looks a bit silly in videos, so you can use the larger foam windshields if you must go in close.

If you go in close, the sound warms up and gets bassier - because it's a cardioid mic, and cardioids, apart from specially designed ones, increase bass and warmth as soon as you get more than 6" or so away, and as you get closer from that point, the change in tone is very obvious.

Most podcast/video mics are designed for close in use and the frequency response is adjusted to make them more neutral. This mic is well known for having clean, clear sound with clarity, but of course it then also needs protection. Getting close to an NT1 naked is risky, but the same applies to all the great mics - U87 Neumans, and the TLM103s, plus AKG 414s and tons of others.
 
Whether a mic sounds good for speech at that kind of distance or not really depends on the room.

In an empty, reflective, 'live' room, you're going to hear the effect less and less the closer you are to the microphone.

Her room is a little live but it doesn't sound terrible.
Seems like a fairly small room with a lot of stuff in it.

The same mic and setup in an empty and/or larger room wouldn't sound as good.
 
Thanks, Steenamaroo. Ironically, I recently watched a video that touched on this very subject.

My room isn't all that small. However, it does have carpeting, and doesn't have any sort of echo. So, I'm hoping it'll work well enough, without any sort of sound treatment.

Thanks for your input.
 
You might think it doesn't have any echo, but a quick and dirty way to test that is to set up a microphone, hit record, and clap your hands a few times. Then when you look at the wave form, you'll see the various reflections. Do it from 10 ft and the reflections will be much stronger vs the initial clap. Get 1 ft away and the initial clap will be much stronger relative to the reflections. Add in proximity boost from being close to a cardioid microphone and you get a BIG dry sound, which a lot of people love. A little touch of reverb and you sound like a pro singer!!!! (or so you might feel).
 
Thanks for the echo tips. I just bought the Rode NT1 5th generation microphone, on Amazon. So, I guess, how it sounds, will be the ultimate test; in terms of echo, etc.

I truly do appreciate all of the suggestions, and feedback, that all of you have provided. You all have been a great help.
 
I bought an NT1 years ago, and it's still one of the first mics I pull out when I fire up the recorder. They are incredibly quiet and I think they sound good. The 5th gen model has the USB connector as well as the XLR. The USB would be great for a quick and easy recording without having to carry an interface around. With 32bit floating point, you don't need to worry as much about levels.
 
I set this clip to the point where I move away from the mic in my video studio - so you can hear the change in sound. Oddly, I use the SM7B mic always at a distance - a couple of feet usually - but I moved further away. My studio is fairly dead, so not really a boxy sound.
We also need to use correct terminology. An echo is where you can hear a distinct second version of the sound. Up to this point, it is reverberation - not echo.

 
Thanks so much, Rob, for providing that video. It shows exactly what I wanted to see.

In the video, you're easily more than two feet away from the microphone, and your audio sounds really good.

Thanks for providing clear evidence of what these high-quality microphones are capable of. This is exactly the kind of quality that the woman shows in the video that I originally watched.
 
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