T
thecyclegoeson
New member
Howdy. I'm starting up a small home studio, and I have a number of questions to those of you who are willing to dispense advice. I know a little bit about recording arleady, but this is the first time I've had to start from scratch, and I don't have a Nuemann budget to work on.
Obviously I'll need one good large-diaphragm condenser for vocals- the question is what would be the best microphone to capture a rock tenor voice (say a voice similar Jeff Buckley, Jimmy Gnecco, or Raine Maida)? If there's a good answer to that under $200, it would be nice.
Another question I had was concerning guitar amp mics. I'm going to be building a number of iso-cabs for amps to save us money, and I plan on permanently mounting mics in the iso-cabs. I've had to mic amps before, and I know that I'm NOT going with an SM-57. I'm looking into Sennheiser E609 for the guitar cabs and a Shure PG52-XLR for the bass. I'm not sure if those are good choices, but I've read good reviews on both mics.
My band's sound runs the gamut, so I need versatile mics that will capture both the crisp high end of a delay laiden guitar and the thump of an overdriven monster. I'd like to also stay under $200 for these, and if there are any alternatives for amp mics that you have, please, let me know.
If that's not a challenge to the recording elite, I don't know what is. Please, let me know what tips you've got. Anything at this point would be a HUGE help.
Peace, Love, and Bananas.
-Steve
Obviously I'll need one good large-diaphragm condenser for vocals- the question is what would be the best microphone to capture a rock tenor voice (say a voice similar Jeff Buckley, Jimmy Gnecco, or Raine Maida)? If there's a good answer to that under $200, it would be nice.
Another question I had was concerning guitar amp mics. I'm going to be building a number of iso-cabs for amps to save us money, and I plan on permanently mounting mics in the iso-cabs. I've had to mic amps before, and I know that I'm NOT going with an SM-57. I'm looking into Sennheiser E609 for the guitar cabs and a Shure PG52-XLR for the bass. I'm not sure if those are good choices, but I've read good reviews on both mics.
My band's sound runs the gamut, so I need versatile mics that will capture both the crisp high end of a delay laiden guitar and the thump of an overdriven monster. I'd like to also stay under $200 for these, and if there are any alternatives for amp mics that you have, please, let me know.
If that's not a challenge to the recording elite, I don't know what is. Please, let me know what tips you've got. Anything at this point would be a HUGE help.
Peace, Love, and Bananas.
-Steve