Home Recording's Dirty Little Secret

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What were your home recording expectations vs commercial high end studio recordings?


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What I find facinating, beck, is that you accuse me of the very behavior you are exhibiting. You were tossing heat back and forth with terra mortim long before you got into it with me (BTW, terra is one of those that got pissed at me within two days of his joining the board, and I have to my knowledge never recovered :o. What can I say, ya can't make everyone happy all the time.)

hmmm no..wasn't me. I thought it was more in fun than anything else. I don't really hate you lol. Sometimes it's a bit fun, you HAVE to admit.
 
...but others having to do with my comments on soundstage and digital I haven’t even addressed and have said nothing about interleave, because it would only interLEAVE most other members behind.
See, beck, this is where we are working at cross purposes in this little dust-up. The only reason I even spoke up to begin with wasn't because you were being a "partisan analog ranger" - your own description at the top of every one of your posts, not mine - but because you were giving red herring evidence in defense of your position. I'm concerned with the spread of those red herring reasons, not with the greater analog vs. digital thing.

And it does "frustrate" me (again, your words earlier) when someone puts that stuff out there, and then when confronted with charges that that stuff is wrong, that person falls back on the tactic, "well, I won't argue that because people just won't understand." Uh uh. If it's not too technical of an issue to use, it's not too technical of an issue to defend. You can't have it both ways of being able to put a point out there, and at the same time just dismiss that point as being too technical to worry our pretty little blond heads over. That's very snake oil-ish, whether you intended it to be so or not. I've seen that maneuver a million times on the sales floor, every time the sales person tries dazzling the custy with some reasonable-sounding technical mumbo jumbo but gets called on it when they don't realize that their customer is actually educated on the subject and can see the smoke being blown from a mile away.

The shame is if these sales people just realized that they could actually complete the sale without having to resort to such tricks, it would be a win-win for them and the custy. It's the same thing here, beck, my man; you can make your sale on analog's superiority without having to resort to the bullshit reasons. I like analog, OK? You're not doing it any favors by using reasoning that anyone with the training can rip apart like a paper bag. Stick to the concrete stuff and it'll be a win-win for both you and the people you're trying to convince.
I’ve made it very clear that I place more importance on human perception... my own experience and the testomnony of others I’ve taked with about this going back to about 1989.
That's fine. You have plenty of anecdotal evidence and first hand perception. That great and that's strong. I never said that you never heard a, let's say - perceived collapse of the stereo field. I'm not calling you a liar .

What I am saying is that where you're missing the mark is in pinpointing the *reasons* for that evidence and perceptions. Thech detail and theory *is* important in that it can prove that the reasons - the culprits, if you will - behind your experiences are not what you claim they are. To just lump it all together as being because of the digital format itself, or to blame it on things such as the digital storage format can easily be demonstrated as placing the blame either too broadly or specifically in the wrong place. I have explained the technical reasons why much of the reasoning you use here is simply off the mark, based upon my 29 years of experience with audio recording and production in anlog and digital, compounded by my four years or so where the very subject of digital formats and digital software development was my actual day-job specialty. Yet your only response has been that you just know better than I do and that I'm too stupid to understand.
If you had the benefit of the AES Journal all these years as I have you would understand that very little is set in stone and equally qualified people disagree.
I don't need to subscribe to AESJ to understand and agree with that completely. As a former member of the NAB, I've had similar expereinces with such political/engeneering organizations. But even above and beyond that, I realized a looong time ago - though I still find it facinating and amazing to this day - just how often there is no one correct answer, if any correct answer at all, to what are sometimes the simpelist-sounding of questions. This is true in everything from politics to medicine, and none of the forms of engineering are immune.

What muddies up the scene even more is something I learned even earlier on, that regardless of the profession, at least half of the people involved in it as a vocation really should be doing something else. NO, I'm not directing that personally at you or any one else specifically. I'm just saying there are a whole lot of apparently "authorative" positions out there in every field not worth the keyboards they are typed upon.

Anyway, I really don't feel like continuing this silly fucking kindergarrten playground of an argument. Analog vs. digital. My god, if that were our biggest problem, we'd be one lucky fucking planet! :) Life is too short and there's too much left to do of real value. Can we just agree to leave things here and move on? Either way, *I'm* moving on. I'd rather do it on pleasant terms than unpleasant ones. How about you?

G.
 
Beck, I'll pay you $50 to go to Bruno Putzeys' forum, and explain to them all the technical problems with digital audio you feel we are too stupid to understand. Or the Lab on the Prodigy-Pro forum. Your choice.

Fifty cold, hard, US dollars (for whatever they are still worth), and all you have to do is start a thread there that explains in technical detail your main assertions about the flaws of digital audio. You don't even have to acknowledge any of their responses, just that one post to start the thread!

They like to do things like design discrete opamps from scratch, so I'm pretty sure they will understand ;)

Edit: I should clarify, please specifically address why digital is flawed, not why analog tape is great. That is, the analog/digital/analog conversion as compared to the original analog signal, not a tape recording of that original analog signal.
 
Guitar Rig 3

I checked out the demos and video of Guitar Rig 3. If it can actually sound like that, it would make making home recording a whole lot easier. No loud expensive amps to mess with. No micing. This is "if" that software can truely deliver. If you're into recording for the long haul, this may be the ticket. The thing about software is it takes time to warm up to it. Then you discover its either as it seems or its less. Once you break the wrap you own it whether you like it or not three months down the road. Thats what sucks about software. Even if your license is transferrable, its a tough sell. If it sounds like those demos, it sure beats any other modeler out there.

Bob
 
Glen, thanks for that last part, but really, what good does it do for me to respond if you keep taking my statements out of context and putting words in my mouth? Some of your points are appreciated, but others having to do with my comments on soundstage and digital I haven’t even addressed and have said nothing about interleave, because it would only interLEAVE most other members behind.

I’ve made it very clear that I place more importance on human perception... my own experience and the testomnony of others I’ve taked with about this going back to about 1989. Speaking of which, I’m a member of the AES, so you can add me to the list of members you know. :) If you had the benefit of the AES Journal all these years as I have you would understand that very little is set in stone and equally qualified people disagree.

when it comes to sound, as humans perceive it, Theorems and formulas can’t explain away what people hear. Maybe the idea of the narrowed soundstage is ludicrous if you don’t spend a lot of time in front of sound systems able to A/B analog and digital.

I spend 95% of my time on the forums answering questions regarding specific models and problems in all things recording… often with not so much as a thank you when I solve the problem. That only leaves 5% of my time for analog proselytizing. And even some of that is taken up just goofing around with my compadres on the forum. ;)

I spend most of my time in the analog section because that’s what I enjoy talking about. It’s a welcome relief from my day job as a computer consultant. I live in a digital world; I’m surrounded by digital tools, in and out of the studio, but for the most part there is no excitement there. It’s easy; I’ve mastered it, I know when and where to use it, but it’s unispiring to me. Thus you won’t find any posts from me in the Pro Tools section. A guy only has so much time. We have to choose a forum or two for most of our interaction, unless you want to live here.

No analog/digital controversy comes up unless someone else starts one. By me simply proposing an analog solution among other ideas is not starting an argument, unless the participants are all 13 years old. The mean-spirited replies by other members that often follow are the beginning point of the argument.

I’ve responded outside the analog forum to titles like “Why Analog?” “What Reel-to-Reel?” “Analog or Digital?” “How to Warm up my Sound.” All I have to do is mention analog tape, even in a thread that asks about tape and the goon squad invariably comes out of the woodwork. Many are misguided groupies that have learned everything they know on these product-oriented forums from their “Heroes”, but some are representatives from music manufacturing and music outlets conducting guerilla marketing. This is all too common, and is a dirty little secret of its own (speaking of). Marketing reps have a strong presence on most web forums and they often start the discussions that others unwittingly become embroiled in.

It takes two to tango, as they say. The pissing matches over digital/analog just get more attention as they drag on, but again my 3000+ posts include mostly helping, joking, talking about the weather, etc like everyone else. They are often long and involved with photos and descriptions, walking members through complex repairs. Or just having fun and being silly.

We've had a regular stream of trolls coming into the analog forum over the years just to poke fun at “The old guys” only to have their asses handed to them by me in a doggie bag. I don’t start those pissing matches, but being Scottish, I won’t be backing down from them either. In fact, we had such a troll problem that Dragon has banned some members from the analog forum, and others banned from the bbs altogether… IMO, a long needed house cleaning.

I’ll take your word for it about your dick… no pictures please. Besides, it’s what, about 5 degrees where you are now? And with a wind chill it’s going to look much smaller if you want the benefit of outdoor natural lighting for best effect... not to mention the risk of frostbite. Lets wait until spring to whip these big boys out, ‘k? :D

I really can’t take this too seriously right now… maybe tomorrow. So for now, here's me not taking myself too seriously... enjoy:

https://homerecording.com/bbs/showthread.php?p=2572298&#post2572298

What is "being taken out of context"?
You have a complete post. You are the one who takes quotes out of context to feed your obsession with analog. Please stop now, you are really making a fool of yourself.

And I know that your next post will be a personal attack on me. I expect it from you.
 
Beck, I'll pay you $50 to go to Bruno Putzeys' forum, and explain to them all the technical problems with digital audio you feel we are too stupid to understand. Or the Lab on the Prodigy-Pro forum. Your choice.

Fifty cold, hard, US dollars (for whatever they are still worth), and all you have to do is start a thread there that explains in technical detail your main assertions about the flaws of digital audio. You don't even have to acknowledge any of their responses, just that one post to start the thread!

They like to do things like design discrete opamps from scratch, so I'm pretty sure they will understand ;)

Edit: I should clarify, please specifically address why digital is flawed, not why analog tape is great. That is, the analog/digital/analog conversion as compared to the original

Forget it. He will never go there as he has said before that the "pros" are sheep being led down the digital path.
 
What do Mastering Software and Snake Oil have in common?

.....and then theres the subject of "Mastering Software". Even mastering engineers trying to sell their services to newbs on the forums-For Shame! (as the mastering engineer thinks "let ME polish your turd"). Lets face it, if your home recordings are only going to end up on an MP3 web hosting site...why waste your money? If you've mastered (learned) your own gear and software, your mix's should sound down right respectable. The two I've posted had no mastering applied. I can smell the carcasses of newbs getting burned. I know, I was one. There is just so much dirty laundry in the virtual world now ain't they. Lets air it out to dry.

Bob
 
Glen,

We are going to be at an impasse on certain issues, we can't even agree on how things should be measured. Left brain/Right brain issue… I dunno.

The technical aspects aren’t even the problem at this point… it’s the posturing. IMO, you’ve put a lot out there that you won’t revise, even though clarification from me has left you arguing against a phantom of your own creation.

You won’t admit that you have misunderstood and possibly overreacted to things I haven’t even said. You’re doing such a good job of moving both mine and your chess pieces I can just stand over here and watch to see how it turns out. Is that really a satisfactory outcome for you?

You may be miffed about other things you think I implied or stated, but you’re not addressing those, are you?

At this level you can’t resolve an issue like this in a few exchanges, and I have no desire to hurry up and “Win” an argument before sundown. Those sorts of wins are sloppy and unproductive in the long run. I’m very patient with a view to the long term, even taking into consideration what people will get out of these 5 years from now in the archives.

I don’t expect everyone to walk around with a copy of Robert’s Rules of Order in their pockets, but holy Christ! Calm down and show some respect for the person you’re engaging if you truly want to know what they’re really about.

I will admit I was a little offended by your post #223, in which you weren’t drinkin’ Captain Morgan, but it must have been somethin’. Anyway I came back blasting, but that blasting doesn’t really represent my opinion of you. For the record I don’t think you’re stupid or incompetent. I make judgments by what people consistently demonstrate over time, not just when they're having a bad day… or bad week or letting a bottle talk for them. That is all easily forgiven.

I think we have to agree in what manner we are going to exchange ideas before an exchange can benefit you or I or anyone else. IMO, right now you are in blast furnace mode and you have been for some time. Getting frustrated and angry is one thing, but if it doesn’t pass there’s a bigger problem than this topic, this forum, or anything that has been said. We know it ain’t Captain Morgan, because you don’t like that.

A technical discussion is out of the question right now. That could change and a cooling off period might be in order. I’m all poised and ready with example after example from the AES Journal and other sources that disprove your assertion that some of these issues I brought up don’t exist. But I’m not going to waste them on someone that isn’t listening.

Frankly Glen, It seems like your objective is to discredit others, including me that threaten your position. You made a preemptive jab at Bruce Swedien (His name does come up in these sorts of discussions), you implied the views of Scholz are questionable because of some unrelated behavior and are now continually misconstruing what I have said. You have yet to demonstrate that you’ve even comprehended what I’ve said.

Please tell me I’m wrong. In this case I really hope I am, but if you just keep shooting from the hip and can’t speak from the heart there is no way we’re going to connect. We might as well be speaking two different languages.

:)
 
Beck, I'll pay you $50 to go to Bruno Putzeys' forum, and explain to them all the technical problems with digital audio you feel we are too stupid to understand. Or the Lab on the Prodigy-Pro forum. Your choice.

Fifty cold, hard, US dollars (for whatever they are still worth), and all you have to do is start a thread there that explains in technical detail your main assertions about the flaws of digital audio. You don't even have to acknowledge any of their responses, just that one post to start the thread!

They like to do things like design discrete opamps from scratch, so I'm pretty sure they will understand ;)

Edit: I should clarify, please specifically address why digital is flawed, not why analog tape is great. That is, the analog/digital/analog conversion as compared to the original analog signal, not a tape recording of that original analog signal.

A lot of my buddies in that group.

This phenomenon of worshiping “ascended masters” that I see among so many members here is really unbecoming. They are just regular guys.

As for me, I bow to no one but God.
 
.....and then theres the subject of "Mastering Software". Even mastering engineers trying to sell their services to newbs on the forums-For Shame! (as the mastering engineer thinks "let ME polish your turd"). Lets face it, if your home recordings are only going to end up on an MP3 web hosting site...why waste your money? If you've mastered (learned) your own gear and software, your mix's should sound down right respectable. The two I've posted had no mastering applied. I can smell the carcasses of newbs getting burned. I know, I was one. There is just so much dirty laundry in the virtual world now ain't they. Lets air it out to dry.

Bob

You have more insight than most. It's refreshing. The whole mastering craze is the last gasp of a drowning recording industry, trying any and every angle to get home recordists into a studio, physically or online. Mastering has always been a part of what I do… there are no magic incantations by white wizards required. ;)
 
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if analog is so good, why is fingerbanging a woman purely digital. BAHAHA oh ho ho ho... I am so good...*slapping knee*...oh uhh...hey shut up.
 
I just laid a wicked anal log this morning... oh ho ho I'm on fire.. bahaha hee har har *swiish*
 
You may be miffed about other things you think I implied or stated, but you’re not addressing those, are you?
I have no idea what that even means, beck. While I may not have done a perfect job, my main thesis throughout this whole sidebar has been that some of the reasons and explanations you have put forward in this thread - and yes, you put them forward, I am not making them up or chasing ghosts - to support your belief that analog is THE shit whereas digital is just shit have been faulty or downright incorrect. I iterated them a few posts ago, and that part of the reason why you are so ready to use such red herring explanations is because you are indeed a partisan ranger for the cause analog, such cause having over the years put some blinders on you that you may not realize exist - as most causes are want to do. That's it in a nutshell.

I am sorry that you are offended by that analysis. I am frankly suprised that you are offended when you are called an evangelizer for analog; I certainly meant no attack in that description. On the contrary, I thought that was pretty much a badge you wore proudly on your sleeve (as well as under you name on every post.)

I might take some concern, if I were you, in that huge descrepancy between how you see yourself and how you present yourself to others. I don't think there's a person on this board that has been around long enough, that doesn't consider you the board's de facto evangelizer of the analog cause. My goodness, man, if that insults you, be warned now that the majority of regulars on this board have what you apparently consider a very insulting view of you, even though that is not their intention.

And as far as the technical issues: you put them on the table, I responded. There was no back and forth beyond that, because you never hit that ball back across the net. If my tone was less than stellar about that, I apologize. But frankly I was caught off-guard. The whole Nyquist thing aside, the rest of it is not really rocket surgery. The fact that a smart guy like you bought into and/or mis understood some of that I could only attribute to either a lack of actual knowledge on your part or a blinding by faith on your cause's part. You are not a dumb guy by any stretch of the imagination, so I was going on a bit of both.
At this level you can’t resolve an issue like this in a few exchanges, and I have no desire to hurry up and “Win” an argument before sundown.
There is no win or lose. This may be something of a debate, but it's not a contest. And I said from the beginning that I had no illusions about changing you mind on the big issue of analog vs. digital. Which is why this has turned into a non-productive conversation to continue. As you say:
even taking into consideration what people will get out of these 5 years from now in the archives.
I got my objections to the red herrings in your position out there not so much for your edification, but for others reading this thread that don't already know. Any more I say at this point, especially lacking a return volley from you, is just repitition.
Frankly Glen, It seems like your objective is to discredit others, including me that threaten your position.
Please tell me, what position is that? I have no "position", there is no heirarchy here. There is Dragon, and then there is everyone else.

Look, beck what I said earlier about respecting your knowledge and appreciating you help with that whole tape calibration thing wasn't bullshit. I went to you BECAUSE you are the Evangel Of Analog on this board, I'm not going to turn around and try to shoot you down personally for the same thing. It doesn't make sense. Why the hell would I want that? I'd much prefer to have you as an ally than an enemy.

I am not now, and never was out to discredit you or anyone else for personal gain, or for any childish "king of the forum" reasons, which is about the only think I can figure you're talking about with the "position" remark. I am not that petty.*

Don't be so damn sensitive and take it so damn personally just because someone points out a probable factual problem with a something you said. It's called peer review. It's called self-moderation. It's called many things, but it's certainly not personal attack.
You made a preemptive jab at Bruce Swedien
Oh my GOD, you can't be serious. I was referring to the fact that there are some "old guard" engineers being used and abused by the marketers to sell products to the newbs, and that there are several who make a second living doing that. Beck, my firend, that was a swipe at the marketers and marketing - which is what one of the thredlets (so to speak) was at the time of that post. The idea that it was a "preemptive strike" at Bruce Sweiden (who wasn't the only name I mentined, BTW) in order to keep his opinion out of your analog debate frankly borders on paranoid. It most certainly is completly untrue, the idea never even entered my mind.
You implied the views of Scholz are questionable because of some unrelated behavior
I didn't imply that one, I came right out and said it and meant it...mostly because that was the very view that Tom Scholtz had of *himself* in that interview. He was a green newb with wide eyes of wonder, flying by the seat of his pants. He readily and frankly happily admitted it himself. And, come on, his views at the time that one should mix with their eyes via FFT are not at all unrelated to an evaluation of his fitness as an unimpeachable reference. Anyone, ANYONE who came in here - let into alone any pro studio - and tried to say that would get shot down faster than a TV reporter at a Russian mob meeting. But the fact that some famous rock star said it makes it an irrelevant point?.
beck said:
This phenomenon of worshiping “ascended masters” that I see among so many members here is really unbecoming. They are just regular guys.
Oh, man, I missed that one. Aren't YOU are the one that uses everyone with a name or title that backs your views as your unimpeachable witmesses, and then blames me (wrongly, it turns out) for even questioning a couple of those same people, like Scholtz and Sweiden? Aren't they just regular guys? How unbecoming.
and are now continually misconstruing what I have said.
What we have is a failure to communicate, that's for sure.

All the more reason why it's time to just move on, sir. We'll go back and forth until the sun goes nova otherwise, constantly misconstruing each other and saying the same goddamed things over and over again. There's no point.

We disagree, and apparently have entirely misguided opinions of each other's motivations as well. I hold no ill will towards you. It's just time to let this little dust-up, like audience applause, die of it's own accord. Just time to move on. I offered, and still offer, to do so on amicable terms. It's your call as to whether you want to accept that offer.
G.

*OK that whole BS issue with Ed and Keith a few months ago is a different story altogether, that doesn't count.
 
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This phenomenon of worshiping “ascended masters” that I see among so many members here is really unbecoming. They are just regular guys.

Regular guys with physics and EE degrees . . . do you prepare tax returns, too?



As for me, I bow to no one but God.

That's great, but I still wouldn't want to drive over a bridge you designed, even if you had some nice quotes about your stonemasonry.
 
.....and then theres the subject of "Mastering Software". Even mastering engineers trying to sell their services to newbs on the forums-For Shame! (as the mastering engineer thinks "let ME polish your turd"). Lets face it, if your home recordings are only going to end up on an MP3 web hosting site...why waste your money? If you've mastered (learned) your own gear and software, your mix's should sound down right respectable.

You are right, they should. But recording as a hobby, or any other hobby, is somewhat an exercise in vanity. And I'm all for vanity. So if somebody wants to spend a few more pesos on some sweetening, well, arguably that will help as much as (or more than) a new mic.

I don't know about audio, really. I mean with something like cars, there is no doubt, it's a 100% certainty, the best money you can spend is on driving lessons. Next best is either tires or throwing crap out of your car to make it lighter, not sure which (I don't fancy myself a good driver or even much of an enthusiast, but I throw out insulation just for that good feeling :D).

But most people probably spend their money on engine tuning . . .

Anyway. You could look at mastering as an after-the-fact lesson. Or you could look at it as renting gear you otherwise couldn't afford. Whatever.

Yeah, people should finish their hobby stuff, start to finish. Executives shouldn't hang Les Pauls on the walls of their office suites. It's an imperfect world.

I have to try to avoid the compulsion to build everything myself. Just yesterday I was looking at an eight channel pre thinking I ought to sell that thing and build one myself. I have a bunch of spare parts, would probably only cost me $100, maybe less.

But just like hiring out mastering, it's time vs. money, whatever you have more of, you spend.
 
Lets have a show of hands....how many of you got interested in home recording thinking you'd be able to make home recordings that would sound similar to the recordings of your favorite commercial artists....and were sadly dissapointed after spending much money, time and effort in an attempt to do so? This is directed at the average home recordist of moderate means....not the guys who have decked out home studios.

At the time, I was thinking I could do something interesting and worthy whith my little cassette portastudio, but it would not fit into the playlist on the radio.

I personaly think there is a bit of a myth in regards to what is regarded to be popular commercial music. Certaintly the advent of the internet would mean it would be hard to prove what is the most popular tune going at the moment.

I think that it would be very difficult to produce similiar recordings to those of a group of poeple on a bigger budget. Where I would be dissapointed would be the claims made by gear makers and seller's about their products?


---
 
.....and then theres the subject of "Mastering Software". Even mastering engineers trying to sell their services to newbs on the forums-For Shame! (as the mastering engineer thinks "let ME polish your turd"). Lets face it, if your home recordings are only going to end up on an MP3 web hosting site...why waste your money?

Its an invaluable learning experience in many ways. Having a CD mastered answers a lot of questions, at least it did for me. There is an aura of mystery about mastering, if you havent had it done you might expect that you turn in your crap and they give you back a Steely Dan album. Nope, they give you your crap back with a lil EQ.:D You learn exactly what it can and cannot do.

Its a very simple process, yet has to be done by extremely skilled people with a great set of ears. But the process itself is very simple, you make it louder and you eq etc. There is only so much you can do, because all the decisions have been made.
 
I personaly think there is a bit of a myth in regards to what is regarded to be popular commercial music. Certaintly the advent of the internet would mean it would be hard to prove what is the most popular tune going at the moment.

I think that it would be very difficult to produce similiar recordings to those of a group of poeple on a bigger budget. Where I would be dissapointed would be the claims made by gear makers and seller's about their products?

I have to admit to a change of heart regarding the quality of music today...I work out at Bally's regularly and they have their own music piped through out the facilty and I listen....and some of its really pretty good. Even on the internet radio stations some is pretty good. Its whats over the airways thats the problem. I've never really listened to XM. Maybe there are some gems there. Its over air commercial that sucks. The radio suit bean counters have lost the linkage with the big music production outfits to walk arm in arm with their advertisers. It was great when we actually had dynamic top forty and album orientated stations. The only stations playing new here in the Boston area are playing metal and hard core stuff and then theres the spanish stations on AM. Those guys go by the old top forty standard.

Your right there, getting as good a quality as those on a bigger budget is tough. But my thing is "lets try to stuff ten lbs of sh*t into a five lb bag" as best we can. Thats where I'm at.

Bob
 
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The poll results have been pretty consistant so far. At least 1/3 of the respondants were hopeing to sound like the commercial mixes they buy. What happens is they get dissapointed and try fix the problem. So they figure, "maybe its my mic" "well lets see, this is supposed to sound like a U87" "that must be my problem, my mic sucks". I remember when that Studio Projects C1 came out, some guy with a name in the industry was proclaiming loudly how this 200 buck mic sounds like a U87 or some such thing. Boy did they sell a ton of those mics. Now that the honeymoon is over and reality has set in, you don't hear that any more. Now you hear about its hyped out top end. So much of this crap goes on. Some newb is trying to figure out his "weakest link" spends his hard earned dough because this lastest fix sounds like a more expensive piece of gear, which, in reality doesn't fix the problem. For me I've got one of the Oktava Mk319 mics that I bought used and bought a mod kit and did the mod. Its simply a great sounding mic with no hype...done on the cheap. Its tough being a newb at this. You're so vulnerable.

Bob
 
yet has to be done by extremely skilled people with a great set of ears

CRAP!

Is that why I can't find the "suck reducer" VST mastering plugin? I've searched high and low and cannot seem to find it. ;) :p

Does anyone know of some kind of "ear training" software that might be helpful for noobs like me who aren't exactly sure of what to listen for?

I find that when trying to "master" (and I use the term very loosely) I end up screwing with EQ's and whatnot and end up with a muddy mess. Then, I remove all the effects and *viola!*, it sounds great (to me) all of the sudden.

I think that's the secret to getting "professional results" for us starving home recordists: Lowered expectations. :):D
 
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