whyseye said:
What element was missing with the RCA on her voice that sent you looking for another tool?
That's kinda hard to explain in words.
When we set up that evening for the sessions, I thought the RCA 77DX would bring a lot of warmth and fullness to her voice, similar to her sound at Capitol Records in the 60's, but it didn't. The RCA sounded "okay", but not great. (Won't be the first time, or the last time, that my first guess is wrong.) I went back to the mic closet and the V77 happened to be right at the front of the shelf, so I grabbed it. Sometimes, that's how it really works in a studio.
We had worked for around 6 hours on a bunch of songs, and we were wrapping things up; it was around midnight. The drummer had left, Jeff Barnes (from Grammy winners, Brave Combo) was putting away his sax, and our bass player was starting to unplug.
Barbara was in the Control Room (with keyboardist Lee Tomboulian) and she asked him if he knew the song, "Make Me A Pallet On Your Floor"?
Lee asked, "What key?"; Barbara answered "A", and I just hit Record, without thinking twice. The reason the rest of the instruments come in later in the song is that they were unpacking the bass and sax as fast as they could.
I had been using the SM7 as the talkback mic in the studio, and Jeff just pulled it down close for his sax. It was unplanned, unrehearsed, and totally improvised - and, for me, magical.
There are moments that make being in the music business all worthwhile - this was one of them.