Halleluiah, I'm no longer afraid of the EQ!

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It's a good thing he loves me. Imagine the names he'd be calling me if he didn't? :D

It's got nothing to do with the number of posts, pingu, and it's got nothing to do with me. The fact is every engineer who has been around the block at least once read your post with the blanket statement and shook their head with a '"tsk tsk" because they have been there, done that and know that such statements are the stuff that myths are made of.

If one knows what EQ he wants, then yes, *maybe* bypassing while making the settings can reduce some fatigue and cause one to rely more on their ears and mind. Sometimes. But often times one might be ready to EQ at, say, 200Hz and in sweeping to it he discovers that 220Hz is actually better in reality than what he had in his mind. Should he ignore that feedback, that input?

But even more than that, EQ's can be used in two different ways; as corrective devices as we all know them, and also just as powerfully, as test probes. There are often certain frequencies that act as "sweet spots" or "sour spots" in the sound of a recording. These hot spots do not always reveal themselves to the human ear at their current embedded levels, but by using parametric EQ sweeps with artifical boost and cut, one can cause these frequencies to reveal themselves like lifting otherwise invisible fingerprints from a piece of glass.

This is not rocket science, this is a basic technique that is fast, accurate, used successfully by thousands of engineers every day, rookie and veteran. And it's exactly the opposite of the blanket statement you quoted.

And if you are going to go around repeatedly calling me a cocksucker, anus licker, and asshole, don't expect me to pull any punches in pointing out when you make a fool out of yourself...then again when you act like that, it doesn't really need pointing out, does it?

G.
 
Congrats dude. I just got over my crippling phobia of microphones. My vocals sound so much better.

Sorry, couldn't resist.
 
SouthSIDE Glen said:
It's a good thing he loves me. Imagine the names he'd be calling me if he didn't? :D

It's got nothing to do with the number of posts, pingu, and it's got nothing to do with me. The fact is every engineer who has been around the block at least once read your post with the blanket statement and shook their head with a '"tsk tsk" because they have been there, done that and know that such statements are the stuff that myths are made of.

If one knows what EQ he wants, then yes, *maybe* bypassing while making the settings can reduce some fatigue and cause one to rely more on their ears and mind. Sometimes. But often times one might be ready to EQ at, say, 200Hz and in sweeping to it he discovers that 220Hz is actually better in reality than what he had in his mind. Should he ignore that feedback, that input?

But even more than that, EQ's can be used in two different ways; as corrective devices as we all know them, and also just as powerfully, as test probes. There are often certain frequencies that act as "sweet spots" or "sour spots" in the sound of a recording. These hot spots do not always reveal themselves to the human ear at their current embedded levels, but by using parametric EQ sweeps with artifical boost and cut, one can cause these frequencies to reveal themselves like lifting otherwise invisible fingerprints from a piece of glass.

This is not rocket science, this is a basic technique that is fast, accurate, used successfully by thousands of engineers every day, rookie and veteran. And it's exactly the opposite of the blanket statement you quoted.

And if you are going to go around repeatedly calling me a cocksucker, anus licker, and asshole, don't expect me to pull any punches in pointing out when you make a fool out of yourself...then again when you act like that, it doesn't really need pointing out, does it?

G.





By whom?

There are some types of EQ techniques that require just the opposite.

It's just this kind of baloney that sets folks like Fletcher off (and rightly so.)

G.



You drew first blood.
 
pingu said:
Go and suck Fletchers Cock asshole!




BTW the guy who recommends this is Mike Stavrou
Author of Mixing With Your Mind

Well, then why don't you go suck Mike Stavrou's cock then? :D


Don't mind me. Carry on, guys. I was just jealous that there was a catfight going on and I wasn't a part of it.

.
 
chessrock said:
Well, then why don't you go suck Mike Stavrou's cock then? :D


Don't mind me. Carry on, guys. I was just jealous that there was a catfight going on and I wasn't a part of it.

.


I have sucked his cock.

His credits are far more worthy than Southsides and Fletchers put together.
 
Still, that's just one mans opinion on how to do things. I'm sure he's great at what he does, but like anything else in music, there is a certain artistry to doing this and not everyone has the same sensibilities. What works intuitively for one person becomes laborious for another. Again, as long as you get good results, who cares how you do it.
 
where does the line form to suck Fletcher's cock? 'Cos I read in "Ultra-mixx 20000" magazine that his penis actually dispenses audio knowledge.

And where is this mysterious "eq" knob these people keep harping on? Is it near the "ultramizer"?
 
chizzy said:
where does the line form to suck Fletcher's cock? 'Cos I read in "Ultra-mixx 20000" magazine that his penis actually dispenses audio knowledge.



Thats it im adding that to my sig.


Thats fucking great.
 
heh....ummm. Well I don't wanna get in the middle of anything. Just making goofy comments trying to lighten the mood up in here. ;)
 
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