sweetbeats
Reel deep thoughts...
Mark ,
I got the pics.
Here is how I would set it up if I were in your shoes...you may want it different as far as where you control what, but let me know how you would want it different and if you can't figure out how to do it I will help.
Do what I said before as far as the output routing from the 450 and the 12/4.
With the above settings you should be able to have gain control of the stereo feeds from the 450 and the 12/4 on the effect return master knobs above the group 1 & 2 faders, and master fader control of both the 450 and the 12/4 together on the group 1 & 2 faders. You will have master control of channels 17 ~ 24 of the G24S via the group 3 & 4 faders. If you want to control the overall level of all 24 inputs via a pair of faders rather than having the 450 and 12/4 split off on the group 1 & 2 faders, leave everything hooked up as it is and latch the "LINK 3-4 > 1/L-2/R" switch located directly above the group 1 fader. This will put master level control of all 24 tracks from the G24S onto group faders 1 & 2.
Let me know what you think, or how you would like to do it different based on your intuitive processes, but this should get you started.
I got the pics.
Here is how I would set it up if I were in your shoes...you may want it different as far as where you control what, but let me know how you would want it different and if you can't figure out how to do it I will help.
Do what I said before as far as the output routing from the 450 and the 12/4.
- Connect the 450 to effect return 1, connect the 12/4 to effect return 2.
- Route effect returns 1 & 2 to groups 1 & 2
- Route channels 1 ~ 8 on the 1508 to groups 3 & 4
- Make sure the 1/L-2/R and 3-4 buttons are latched in the monitor section at the far right of the mixer. This will make sure you can hear in the headphones or on your monitor speakers what is passing through the group faders.
With the above settings you should be able to have gain control of the stereo feeds from the 450 and the 12/4 on the effect return master knobs above the group 1 & 2 faders, and master fader control of both the 450 and the 12/4 together on the group 1 & 2 faders. You will have master control of channels 17 ~ 24 of the G24S via the group 3 & 4 faders. If you want to control the overall level of all 24 inputs via a pair of faders rather than having the 450 and 12/4 split off on the group 1 & 2 faders, leave everything hooked up as it is and latch the "LINK 3-4 > 1/L-2/R" switch located directly above the group 1 fader. This will put master level control of all 24 tracks from the G24S onto group faders 1 & 2.
Let me know what you think, or how you would like to do it different based on your intuitive processes, but this should get you started.