EDAN said:
I've heard such things via the web. Mostly from Behringer bashers. Behringer from my research has never lost a lawsuit and have never been convicted of a crime. I can't go by hearsay and speculation.
Again, just open your eyes and look for yourself. You don't have to go by hearsay or speculation. Just open your eyes and look, it's sooooo obvious.
And what's this obsession with convictions? Do things have to be proven in a court of law for you to believe them?
EDAN said:
For about the fourth or fifth time, why do you hold Behringer accountable but make no mention of the fact I brought up, the fact that just about every guitar maker makes look-a-like and sound-a-like strats teles, Jumbos, dreadnots and the like? What's the difference in making a cable tester that works and looks "almost" exactly like another brand and dozens of guitars makers making guitars that work and look "almost" exactly like the Fenders and Gibsons and so fourth? I don't see a difference, there is no difference. Most all electric guitars work the same way, there are copycat pickups, tuners, bridges etc that look and work "almost" exactly like all the famous ones they copied. Why do you only have a problem with Berhinger? Plus, you yourself said you own some Behringer gear, that doesn't do much for your position on the matter.
In the first place, the Behringer cable tester is not "almost identical" it is *identical*. This point has been made before and you are just not getting it. It's identical, a ripoff of the design down to the last screw. It's not similar, it's identical.
In the second place, I don't have a problem just with Behringer, I have a problem with any company or any person that steals the work of others and profits from it. The couple of Behringer pieces I own are not ripoff designs, at least that I have been able to determine. I own a lot of gear, so having a couple units by them is really just a drop in the bucket, and certainly not an endorsement.
If you read this thread you'll see that I have brought up many points which you have chosen to ignore, yet you accuse me of doing the same.
So as far as the guitars go, I don't think anyone would ever think that a non-Fender guitar is going to "be" a Fender. That's like saying a Hundai that looks sort of like a Mercedes is "almost" a Mercedes. Everyone understands that guitars are musical instruments, and that the quality of the instrument depends very much on who makes it.
In addition, Guitars are very old instruments and I don't think the general shape can be copyrighted at this point. In essence, I think that you have chosen a very bad example to hold up as somehow justifying Behringer copying the designs and inventions of other companies.
Also, you asked for a list of companies to research, and when presented with a number of companies you rejected them. Every time someone nails you, you just try to redefine the argument to suit yourself. Now all of a sudden we are talking about huge multinationals that some mythical "90%" of musicians buy from.
The list that littledog gave you is *very* representative of the gear that will be in a lot of recording studios. That is indeed a list of highly successful and well known companies that make studio gear. You reject the facts because they don't fit your argument, rather than reject your own argument because it doesn't fit the facts.