
witzendoz
Senior Member
I am glad that this post is getting some much interesting discussion, I wish someone from Rode would join in, although there may not be many people there that remember the beginnings?
One thing I do remember form the purchase of the my first NT1, a few weeks later I was engineering a session in the studio for a producer who had brought in a female vocalist for a tracking session. The vocalist was excellent and went on to become a house hold name in Australia, she was about 15 years old when we did this tracking. Anyway the producer had brought in a Neumann U87, about halfway through the session the Neumann just stopped working. He asked what I had in the studio and at the time the only large condenser I had was the NT1 (This was the 90's and I was just getting the studio up and running with what ever I could find). We put it up and tracked with it while we just looked at each other saying that we could not tell which takes were which. I would be the 1st to admit that there must be some difference, but without analyzing the takes without the music you could not tell. So the finished song had some U87 and some NT1 and nobody could remember which bits were which.
These NT1's were one of the best purchases I ever made in the early days of my studio. I still use the NT1 on almost every recording somewhere.
Cheers
Alan.
One thing I do remember form the purchase of the my first NT1, a few weeks later I was engineering a session in the studio for a producer who had brought in a female vocalist for a tracking session. The vocalist was excellent and went on to become a house hold name in Australia, she was about 15 years old when we did this tracking. Anyway the producer had brought in a Neumann U87, about halfway through the session the Neumann just stopped working. He asked what I had in the studio and at the time the only large condenser I had was the NT1 (This was the 90's and I was just getting the studio up and running with what ever I could find). We put it up and tracked with it while we just looked at each other saying that we could not tell which takes were which. I would be the 1st to admit that there must be some difference, but without analyzing the takes without the music you could not tell. So the finished song had some U87 and some NT1 and nobody could remember which bits were which.
These NT1's were one of the best purchases I ever made in the early days of my studio. I still use the NT1 on almost every recording somewhere.
Cheers
Alan.