I think Gidge has the ticket here. A cheap mic kit is ... a cheap mic kit. The sm57 is a proven workhorse on snare. I've used the RS mics on toms and they are especially good on the higher toms. For floor tom either another 57 or and ATM25pro would work fine. Your friend could just add overheads later or may want to consider 1 or 2 Behringer ECM8000s ($40) for overhead.
Also, I don't really see a distinction in "live" mics versus "recording" mics. The same mics that make a drum set sound good in the studio is the same thing that makes 'em sound good live. In every drum situation I've come across, the same mics were used live as were used recording. Quite a few manufactures have been selling this falsehood in an attempt to sell you cheaper "starter" mics for "live" work presumably to get you to buy again when you get more serious and want to record. Stop the madness.
Get the best useable mics upfront so that if you buy in the future it won't be to replace but to add to what you presently have. Any investment in the ATM25 Pro is worthwhile, because even if you got another (better) kick mic that ATM25pro would be a workhorse on the lower toms (no replacement here). The sm57 stays (you'll never replace this one... although you may find other useable flavors ... plus it's great on guitar cabs and may find use for some flavors of vocals in a recording environment). You may replace the Radio Shack tom mics in the future ... but you will have only spent $15 for each. Even if you got 3, that's just $45 down the drain... Plus these mics are pretty good for the money.
Don't buy junk that you'll have to replace. Better to get minimal good stuff than tons of junk that you'll have to replace when you get more experience and realize that the "buy good upfront" advice is bank. Don't be another victim... and DOn't let your friends become victims of this nonesense either!