Excellent. Thanks Rob.
As for vocals, I have tried and failed at all sorts of techniques really. I like the not-so-popular technique of two takes in unison panned wide. It's unnatural sounding, and I often get called out for it, but I tend to like it. The holy grail for me is probably just to get one take/track of lead vocals with minimal processing to sound good on it's own, but that's pretty hard (for me anyway).
I hope it's apparent that on the choruses here, there are separate harmony parts sung and panned to either side...I liked those parts and wanted them to be heard. I have on other songs though sung harmonies throughout and blended to taste (ie. telephone wire), but that can get overwhelming to the listener after a while.
On this song, I actually left the scratch track on at a very low volume, and then re-recorded the lead vocals a week later. They lined up well enough and so I left them both panned up the middle. You can barely hear the scratch track, but you'd notice if I toggled it on and off, you know? My vocal lines are generally so simple that I can sing them weeks apart and they line up almost exact. In this case the scratch track was one take and the final lead vocal was one take. Maybe I should invest more time in that???