J
jbroad572
New member
Well, I've spent some time doing a little recording between my Re20 and
V67G. I am finding that I like the sound I get from my V67G, maybe the
condenser characteristics? The only thing is it is bright/grainy, the
Re20 is not. Possibly the DMP3 preamp is not suited to well for the RE20?
I do notice the v67 is very hot and when recording my sax I have to stand
about 2 feet away, but I get too much of the background and key noise, but
the sound of the sax is more accurate. The re20 has a thicker sound
espcially with VOX, but the v67 sounds livelier, poppier? The most
important thing for me is my sax recording, a little spoken word vox (I
have a deep voice), and occasional singing male vocals. At a later date
I'll pick up an SM7 for female vocals. Is there a better condenser mic
that I can use or should I spend the time in eq/tweaking or maybe another
preamp? I would more than likely sell the v67 or re20 to fund the purchase
for a newer mic depending what it is.
Would maybe a ribbon mic do an even better job?
V67G. I am finding that I like the sound I get from my V67G, maybe the
condenser characteristics? The only thing is it is bright/grainy, the
Re20 is not. Possibly the DMP3 preamp is not suited to well for the RE20?
I do notice the v67 is very hot and when recording my sax I have to stand
about 2 feet away, but I get too much of the background and key noise, but
the sound of the sax is more accurate. The re20 has a thicker sound
espcially with VOX, but the v67 sounds livelier, poppier? The most
important thing for me is my sax recording, a little spoken word vox (I
have a deep voice), and occasional singing male vocals. At a later date
I'll pick up an SM7 for female vocals. Is there a better condenser mic
that I can use or should I spend the time in eq/tweaking or maybe another
preamp? I would more than likely sell the v67 or re20 to fund the purchase
for a newer mic depending what it is.
Would maybe a ribbon mic do an even better job?