peopleperson
I'm so sorry.
Yeah, compression only if it's needed. Vocals and bass usually off the bat.
Nick98338
New member
Compression on every track?... Yea, almost every one. A nice, slow, calm kind of track... probably not. And not much. A fast, powerful, hard drivin', lots of emotion kind of track... probably a lot.
M
mixsit
Well-known member
And virtually everything else that comes out a speaker now. Some really great sounding music has been made w/o a comp on every track, and this (to put it verbally, the sound of 'everything, all the time') is indeed a different sound.Ford Van said:... Sometimes, that is just the sound for pop music! I would say, MOST of the time, that is the sound of POP!
I understand fully why one would say to use compression wisely, for the right reasons, etc., but to call it in any way conservative' is a testament to things have drifted.
I don't know about y'all but my ears yearn for some firkin dynamics. Somewhere. Anywhere.
Wayne
Ford Van
Banned
pipelineaudio said:
PERV!!! She is only 15!!!
jmorris
New member
Exactly! Like we all know thousands of work but that doesnt mean we use them all everyday.xstatic said:
Ford Van
Banned
jmorris said:
Then you are lazy!
If you meant "words" ( I am sure you did! ), you are then DUMB if you only know "thousands".
The average vocaculary is around 10k-20k words.But, we probably don't use but a small fraction of them on a daily basis.
On certain styles, a LOT of compression works really nicely.
jmorris
New member
Damn, where the hell did that K come from!Ford Van said:Then you are lazy!
If you meant "words" ( I am sure you did! ), you are then DUMB if you only know "thousands".
But, we probably don't use but a small fraction of them on a daily basis.
On certain styles, a LOT of compression works really nicely.
Darn fingers.
TuoKaerf
New member
I use it when needed, or for an effect. I hate listening to mixes with poorly set attack and release times, so there are strange pumping feels out of time with one another.
