M
Muckelroy
Member
I've heard it said by some engineers I've talked to, that Dolby SR sounds so noiseless, anechoic, and sonically similar to today's digital DAW's, that they'd much rather not mess with it, and just track to a DAW.
These same engineers said that if they ever use analog, they go for 30 IPS, +9 tape, and slam the hell outta the tape, b/c most of today's clients only use tape for that saturation effect.
On top of that, I've heard that SR, while it may be the most sonically accurate form of noise reduction on PAPER, is a bitch and a half to align the machine to.
Anyone here used Dolby SR before? Thoughts?
-callie-
These same engineers said that if they ever use analog, they go for 30 IPS, +9 tape, and slam the hell outta the tape, b/c most of today's clients only use tape for that saturation effect.
On top of that, I've heard that SR, while it may be the most sonically accurate form of noise reduction on PAPER, is a bitch and a half to align the machine to.
Anyone here used Dolby SR before? Thoughts?
-callie-