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i need to clarify on one part more...all dvd, and comp audio mixes would be sent to multiple outs like the mains, delays, fills and sub..so matrix1, matrix2, matrix3, and matrix4...all lavs would be sent to the same minus the sub matrix send..i guess im just trying to figure out the reason for...

yeah thats sound like itll work although what if I had one more set of FOH mix to send for examples to delays. I would need one more main mix out..I could set up another aux send to an omni out but then ill have to send a "mix" to another "mix", which I dont think you can do..which is where i...

I looked everywhere and, yes, I even read the entire manual. I hope this fits somewhat into this section of the forum. My question: I'm going to be using the LS9 for corporate sound events, very simple. All I want to do is group a few lavs, strap the 31 band EQ across that group only. I will...

removing mirrors, bass traps, blankets, seems reasonable. How would I go about confirming that I have a relatively flat listening position? Is an SPL Meter beneficial for this? Thanks

also to mention that tuning a square centimeter wouldn't be too help full either...

Ok, it's settled that graphic EQ will not suffice. My room has sliding mirrors on one entire side so I've never thought about trying to treat my room because of obvious issues with still using those sliding doors. I guess it's also settled that there just doesn't exist a graphic EQ with 30-40db...

My odd shaped room is all I have at the moment for doing my mixing therefor I cannot really "acoustically" treat it the way I want, right now anyways. What if I put a graphic EQ in between my monitors and "tuned" my listening position with pink noise and a SPL meter? I would try and get the...

yup..thats what I thought

HAha!...well, yes and no... that kick drum creates sound pressure...even if there are no ears around to complete it as a sound, it is 50% a sound...the other 50% is made audible by your ears and brain

witzendos: justa quick side-question I noticed in your studio rack you got a graphic EQ..is that to tune out your room or for an instrument track?..curious..

good stuff...thanks.. oh yeah absolutely +1 on the coffee

the aux 1 is being sent to a "Telos" hybrid phone unit designed to output caller audio back into a fader channel so i can pump the mains (speakers) with the caller audio and all my subgrouped mics can be sent via the the EQ'd return channel back to the caller...mix-minus the caller's own audio.

man..very comprehensive mixerman..thanks

The Mackie vlz 1640 to be exact.. What I found: All my mics are panned to subgroup 1 which the subgroup 1 output is sent to its own channel to have a graphic EQ inserted (because there is no insert on the subgroups) If I want to send a collective "Aux send" of all my mics (EQ'D and post fader)...

awesome thanks...Are you privateer or working for an AV group? I have been and will be working on panel type meetings for various large companies for a long time. I work for Swank AV out of Orange County...this will be the first time I record anything..does the client ever want the recording...

I'm going to be recording a possible 4 hour meeting straight through. What would you recommend for settings on my laptop (Toshiba sattalite l670) to record a solid session with no issues during recording? Should I create a login with stripped down background processes. This recording is very...

That was the only thread I've ever really read from start to end...3 pages..anyways just wanted to post to revive this 3 year old thread cuz it was so interesting and informative.

Thats kinda the way I always felt about it (Parrallel and sidechain) I have done it before but it never seems to do anything good besides make the vocal stand out WAY too much, I feel as though if you have recorded it going in the right way then you shouldn't really have to sidechain or...

One last thing...How do you feel about sidechain compression to clear the way for vocals, sometimes I think I hear this going on in popular songs (Not the Trance sidechain compression) I could be wrong though?

Good stuff. So what factors would make me determine using either the pan method or an Eq pocket method to make the vocals sit and everything else fit. I know that it's a very subjective thing to determine, but what would make you do one or the other?