
BroKen_H
Re-member
Keebecker Mafioso!
Sometimes. I can guarantee you one thing. Those buildings did not come down because of 19 bozos with Exacto knives. That's all I know.Do you also listen to music with swear words in it and subscribe to strange political ideologies?
Yup. I probably am. And now, they're allowed to bug my phone, open my mail and basically do stuff that would embarrass Hitler. All in the name of an imaginary "War on terror". I can't believe how stupid and gullible people are......according to new Canadian law, you're a terrorist.
Yup. I probably am. And now, they're allowed to bug my phone, open my mail and basically do stuff that would embarrass Hitler. All in the name of an imaginary "War on terror". I can't believe how stupid and gullible people are.
But I digress..........................![]()
Thanx a lot, Triple. I'll give this a listen again in a few days. Right now, I need to get away from it. Thanx a lot dude.Rock solid vibe and performance. Like always.
I think the bass and kick are a bit too loud. Great separation on them tho. I can easily hear both distinctly. That's not easy to do.
I think the guitars are a bit muffled. Or moreso than usual. They don't sound bad. I'd just like a wee bit more sparkle.
In general things sound awesome, like usual. I'd just tweak those couple of spots.
Oh and I especially liked that bass part.
Yup. I probably am. And now, they're allowed to bug my phone, open my mail and basically do stuff that would embarrass Hitler. All in the name of an imaginary "War on terror". I can't believe how stupid and gullible people are.
But I digress..........................![]()
Rami, are you using room mics at all?
No, I don't use room mics. My room is too dead for that. I've tried using room mics and it added nothing to the image. Funny, I've been told that my stereo image is too wide on more than one occasion.Rami, are you using room mics at all? I am curious if maybe using a room mic or a pair of them might make the drum image feel a little bigger.
Thanx man.Everything is super tight, as usual.
I don't know where you got that I'm not a fan of double tracking. My rythm guitars ARE double tracked. So are all my vocals.I know you're really not a fan of lots of double tracks, but I also think if you doubled up some of your rhythm guitar tracks they would also add some weight and heft and... girth... I reckon it's a stylistic choice you are making to keep it simple.
Yeah, that's a deliberate choice. I didn't want them up front. Listen to "Everybody's Got Something To Hide Except For ME and My Monkey" by the Beatles. I was going for some of that screaming in the background that sounds like it's happening about 10 feet away from a mic.The vocal lines at 3:15 and beyond are a little quiet.
Thanx a lot, Casey. I love that part, too, to be honest. The cool thing about this tune (or at least, it's cool to me) is that the whole thing is based on a drum pattern/beat I was learning. It's a sticking pattern that goes R-L-L-R L-R-R-L, kind of an inverted paradiddle. I was screwing around with that, turned it into a beat by adding accents where I wanted them, etc...and then made a song from it.I came at 2:28, btw. Your drumming here is liquid, euphonic, and... what's the word.... mellifluous.![]()
No, nothing out of the ordinary there. I just sang and sustained it with no vibrato. It actually sounds weird solo'd, but works in the mix, I think.Listened again to the mix on page 4. Just because. On the 'b-e-e-e-e-e-e-e-e-e-', did you put an effect on that? It's uncannily steady. It's exactly effective, whatever you did/didn't do to it.
My rythm guitars ARE double tracked. So are all my vocals.