I
ittam
New member
It was quite clear at psw if remember right, with pics & stuff - but not in one message.
Matti
Matti
I don't think switching to "soft recovery" will make any difference (though I admit to complete ignorance of soft recovery diodes - I believe they may be used in switching power supplies to reduce EMI.) If you're finding 20+ mv of ripple in the supply (if I'm reading it right), I'd think it's due to failure of the regulator, not the diodes or filter caps.
Check the voltage feeding the regulator on a stock unit--I wonder if somehow the drop is larger with the stock diodes, causing the LM317 to go out of regulation![]()
any step by step info for the transistor swap on the 81-s.
Well, we we're working with two different units that probably have different problems. Mine has undetectable ripple at the output of both 24v supplies at the outputs of the PS board. With the connector unplugged from board 6, there is also no ripple at 24v on the cable. But when I plug in the connector giving power to the eq boards, a signal is present of about 2mv on the 24v supply on the boards. Removing the jumper from board 6 to board 5 minimizes this signal to well under 1mv. Leaving board 5 powered, and removing the next jumper to board 4 has a negligible effect - the signal is still present at about 2mv.But it did make a difference. I swapped out the regulator first (replaced the LM317 with a 7824 fixed regulator and rewired the circuit for it). That made no difference. I still had the ripple. I then bought an oscilloscope so I could confirm that the ripple was really a ripple. It was. I then swapped out the diodes and the ripple is basically nonexistent afterwards.
I've got a thread in the DIY forum https://homerecording.com/bbs/showthread.php?t=275506any step by step info for the transistor swap on the 81-s.
That's where I got mine, and they don't have the 6 at the end -- mine seem to workawesome antichef! newark electronics has the transistor parts listed without the "6" at the end of the number. is this o.k.?
I take all the props I can getthanks to AntiChef for sharing his fix here:
Sooooooooo, now can I please have my replacement ribbons, I have been waiting to use my mics from the last group buy.
Sooooooooo, now can I please have my replacement ribbons, I have been waiting to use my mics from the last group buy.
we should have realizedMe, too, lol.
we should have realized
that you guys
were the canaries (in the coal mine)
of the group buy
![]()
an acm3What's the best microphone for under $100 for recording white people playing sped-up reggae music![]()
I had the chance to use my new ACM-310s a few days ago. I've been mixing one of the shows that I recorded, and I thought I'd post a brief clip from one song. I should make clear up front that this clip isn't in any way a "pure" demo of the mic (unlike the bluegrass clip that I posted many months ago). The mic is used on the guitar, but it's mixed with several other sources - including a DI from the same instrument. The ACM-310 is mixed somewhat louder than the DI and is panned to the right (and the DI to the left), but you really won't easily be able to separate the two. So think of this as an example of the use of the 310 rather than a true demonstration of its character.