why is -10 "hotter" than +4?

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maskedman72

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i thought -10 was 10db below zero db(quiter),and +4 is 4db above zero(louder).
if this is true why is it when i switch to -10 it is hotter? i thought it was better to run your gear at +4. if the signal is weaker at +4 than you would want to run at -10 right? you wouldnt have to crank the pres as much resulting in less noise. could someone shed some light for me?
 
Becuase it's what the signal is.

At -10db it's expecting to have to bring a -10db signal to 0db where at +4 it's expecting to pad a +4db down to 0db
 
I'm afraid you both have got it all a bit mixed-up.....

First of all, the units for each are different, because their respective voltage references are different...

0 dB VU on gear running at +4 dBu translates to an actual voltage level of 1.228 VRMS.

0 dB VU on gear at -10 dBV translates tor 0.316 VRMS.

Notice the difference in units (and neither of them are dB!)

Also note that there is an 11.79 dB difference in level between the lower -10dBV signal and the higher +4dBu signal....

When it comes to combining gear that operate at different gain structures, you really have to pay attention to the level a particalur connection is expecting....
 
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Blue Bear, you are absolutely correct. But it's still very confusing. There's a really good explanation of decibels (with all the various references explained) at www.tonmeister.ca.
 
Blue Bear Sound said:




Also note that there is an 11.79 dB difference in level between the lower -10dBV signal and the higher +4dBu signal....


but the -10 signal is the higher one.

im still a bit confused.
 
Then you've got a mismatch in gain structure somewhere in the chain and you're misunderstanding the relationship between the gear you're interconnecting. A signal level of 0.316 vrms (-10dBV) can never be stronger than a signal of 1.228vrms (+4dBu).......

The +4dBu gain structure has the higher signal level (ie, further away from the noise floor than a -10dBV signal by 11.79 dB)

You have to understand the ratios are relative -- if you feed a +4dBu signal into a unit that expects to run at -10dBV, that signal will be appear to be EXTREMELY hot at the inputs. Contrast this to a unit that expects a +4dBu signal will see a -10dBV signal as requiring excessive gain on input (ie, it's too low).....
 
can anyone offer any links to any good articles on gain structure? i've read loads but still have a gap in my understanding and i guess there are some others with the same problems. i understand the decibel system, that it's logarithmic etc and is not an absolute measurement, but when it comes to whether i set my sound card inputs to expect +4, line or -10 i'm never quite sure. am i right to guess that my mixer outputs at line? (is that not the point of it in fact?)
 
You have to know what kinds of signals your gear expects.... but it's not much of an issue unless you mix 'n match consumer/semi-pro/pro gear....

Line-level of 99% of consumer gear is at the -10dBV level, while 99.9% of pro gear operates at the +4dBu gain structure. Semi-pro is more varied - operating at one or the other, and sometimes has switches to operate at either.

Normally, the idea is to make sure all your gear is inter-connected at the same gain structure level. It's when you mix it up that you run into difficulty.
 
so +4 yeilds the highest quality?
the back of my mp2nv has 1/4 inch outputs that say "-10 unbalanced"
does that mean that the xlr ouputs are +4 balanced?(i would assume so)
so when connecting the 1/4 inch -10 outs of the 2nv into the inputs on my digi 002 rack that has a -10/+4 selector switch,put that switch to -10 right? and if i use the xlr's put the switch to +4?
so what this means is that if you have a -10/+4 switch on a input,that switch's position determines what that input jack expects to see signal wise?
 
I'd just like to add one thing that I think is relevant. You can have both a balanced and unbalanced signal at either level. Which means that contrary to popular belief -10 levels can be balanced sometimes and not all +4 levels are balanced all the time.
 
TRUE - but I didn't bring the point up here because the topic didn't specifically come up, and there's already enough confusion about gain structure and balanced/unbalanced wiring I didn't think there was a need to introduce it!
 
Just to confuse some more....

I have a Mackie 1642 and its meters at 0 are .775V. My question is what do i hookup the di from the preamps to my RME Multiface which can be selectable of -10, +4, and one other one that is much higher than +4 but I can remember right now?
 
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