R
richievarnadore
New member
PRO-TOOLS
I begin by plugging mics into my M-AUDIO Ultra. I use no mic-preamps, and direct in most instruments. But whenever I record live I usually spend alot of time positioning mics, setting up my gear to sound as good as it can before I actually record it. After setting up my microphones (2 x SM-57's, SM-58, Beta-52A, C03 Samson Condenser, 3 x PG-56'S) I record the band, one instrument at a time to ensure clarity. After cleaning up the recordings with EQ, compression and gating I use my only mid-grade decent plug-in I own; iZotope Ozone 4 Mastering Plugin. I slap on a pre-set and tweak a little. After I bounce to disc (48kHz) I receive a lifeless sterile recording with no stereo width.
I have invested close to 2000.00$ in Pro-Tools and expect something more.
BR-1200 CD DIGITAL RECORDING STUDIO
Whenever I record with my BR-1200 I spend little time positioning mics, spend no time making my gear sound very good and begin recording usually on short notice (I use this at life shows to record, and for band demos). I throw in one mic at a time recording each instrument seperatly to ensure coherent and clear results. After recording I add little or no effects to anything and master it using the few pre-sets on the module. After bouncing to disk I get a dynamic blast of equalized and phenomenally enhanced audio that to this day astounds me.
WHY DOES MY BR-1200 WORK BETTER THAN PRO-TOOLS!?
ANYONE!??
I begin by plugging mics into my M-AUDIO Ultra. I use no mic-preamps, and direct in most instruments. But whenever I record live I usually spend alot of time positioning mics, setting up my gear to sound as good as it can before I actually record it. After setting up my microphones (2 x SM-57's, SM-58, Beta-52A, C03 Samson Condenser, 3 x PG-56'S) I record the band, one instrument at a time to ensure clarity. After cleaning up the recordings with EQ, compression and gating I use my only mid-grade decent plug-in I own; iZotope Ozone 4 Mastering Plugin. I slap on a pre-set and tweak a little. After I bounce to disc (48kHz) I receive a lifeless sterile recording with no stereo width.
I have invested close to 2000.00$ in Pro-Tools and expect something more.
BR-1200 CD DIGITAL RECORDING STUDIO
Whenever I record with my BR-1200 I spend little time positioning mics, spend no time making my gear sound very good and begin recording usually on short notice (I use this at life shows to record, and for band demos). I throw in one mic at a time recording each instrument seperatly to ensure coherent and clear results. After recording I add little or no effects to anything and master it using the few pre-sets on the module. After bouncing to disk I get a dynamic blast of equalized and phenomenally enhanced audio that to this day astounds me.
WHY DOES MY BR-1200 WORK BETTER THAN PRO-TOOLS!?
ANYONE!??
