
bongolation
New member
I was successful, in terms of having a scary amount of influence if not a scary amount of money. The industry listened - and listened hard - to what my ear told me about new indy acts, who should make it to the next level and who shouldn't, whose sound needed work, whose material stunk. I was one of a handful of people who, working together in NYC, made c. 1979 "Modern Rock" a viable format nationally for the next decade or two.grn said:and on top of that... I'm sure most can determine what really is good or not regardless of their personal preference of style in music... why don't we help each other out? just a thought.
When it comes to recognizing good material, acts, production, recording and promotion, I know what I'm talking about. I have a good ear and a good nose.
I got out of the business for about twenty years because I could make more money doing something else that was for me more real, exciting and interesting. I got back into dabbling with music when I retired early.
I don't "help" people because people won't listen.
Because I am a "has-been," I'm in the same category of credibility as any Internet "never-was." I'm just someone on the net. Everyone on the net is just as negligible as anyone else. Nobody has to listen to me, because if I were worth listening to I'd be doing something important instead of screwing around on the net with a bunch of contentious ignoramuses.
Right?