What's a good Hip Hop Analog Setup?

I

Iwannamix

New member
Whats some good analog gear to get so I can achieve that old school 90's Jay-Z reasonable doubt / nas illmatic vocals and overall track sound.

Can you post a chain btw.
 
Slowrider said:
Analog and Hip Hop, don't get along well in the same sentence.
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I think the question is more along the lines of 'what would they have used to do it before digital became ubiquitous?'. And I suspect an awful lot of tape splicing was involved.
 
I normally don't like to send out to tape once it's in the computer, but in the case of hip hop, it would be way easier to produce in the digital world and run a mix out to tape and back for effect. Then you only have to worry about one decent stereo deck.
 
In a former time as a young bright-eyed bushy-tailed recording student, I went to a home-brew hip hop recording studio. I asked if they used tape at all, and he pointed to a boom box that had a cassette deck. That about said all I needed to know.

I agree with Slowrider - good for mix-down, but that's about it, given the present demands for multitrack DAW editing in that genre.
 
I think the real question is what kind of gear did the producers use when thinking about hip-hop in the analog age... And that would be almost strictly hardware samplers - in an age before the Mashine, or whatever. On Illmatic, I know DJ Premier, Pete Rock, and Q-Tip had a lot to do with the production of that album, and all three of them still swear by the MPC 2000. I don't know where editting/splicing would come into play... the way they would make the song could be changed very easily.

From what I've heard, this album was recorded in a proper professional studio (and since Jay-Z and Nas both had major label deals, I would Jay-Z's was done the same way)... so, back in the day, I would assume the setup was some kind of professional 2" 24 track tape machine (Studer or Otari, or what have you), with a really nice microphone (Neumann U87 or C414 for example), and a really nice mic pre, and a really nice compressor (such as a UA LA-2A, or Urei 1176, or something else of that nature)... It was probably pretty standard professional gear that was used in producing that album. Now, if you're talking Wu Tang, who knows what RZA was doing... that sound is so dirty, and he basically recorded that whole first album without the help of major label money, so...
 
AllenM said:
I'm sorry but Hip-hop sucks dog asshole. Its ruining the souls of America. America used to make good music. :facepalm:
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I really dislike this type of attitude. What kind of hip hop have you heard? I'm assuming you're talking about the commercial garbage that was made in the early 2000's (Master P, Ja Rule, etc.).

I would personally say the major labels ruined commercial music around this time by selling horrible stupid catchy music to the masses... where before they had at least a little bit of taste.

There is a lot of extremely ceative music being made in this genre if you actually seek it out... Actually, the same goes for all other types of genres as well.
 
I don't recommend you ask hip hop question to these dudes. They are mostly old hillbillies you can tell by the answers. I am kidding. jaja. These dudes do know analog gear made by tascam really well. Anyways Jay Z reasonable doubt was recorded at D&D Studios (I think Dj premiere buys the studio at some point) under MCI RtR machines, and the SSL 9000 mixer console?
 
Slowrider said:
Analog and Hip Hop, don't get along well in the same sentence.
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Jajajaja This is embarrassing! And a disgrace to music lovers and analog seekers around the world. My music collection have so much hip hop recorded with top of the line analog gear, including reel to reels, is not even funny to think how stupid this sounds to my New York ears. Analog is not about music genre.. Ja!
 
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