I only have one "monitor", and it is a Sylvania F89, 19".
I am not sure if it is even SVGA. But it sure is cool! $300 at Costco about a year or so ago.
Aside from that silliness, I tainted the vote by voting Other. I use Event 20/20's, the passive ones.
Darn good monitor, and in a well treated control room, very accurate. But then again, I have been using them for over 4 years now, mostly in not so great rooms.
I think I need to make a point about monitors, and previewing them.
Most preview them either in a: a music store b: someone elses home studio.
In either case, I don't think you are hearing the "real" speaker, because in both cases, you are not in a proper acoustic environment to assess how they actually sound.
I was lucky when I previewed the Events years ago because the pro audio shop I bought them at had a room that a lot of their best equipment was in, and it was a very neutrual space for listening.
The Events went up against the best JBL had to offer, and a few others that were big then, and they just downright had far more detail in the sound then the others. The low end was much more appearent too!
So, when you preview monitors (the speaker type...

) make sure you do so in a good room that isn't coloring the sound, or causing phase cacellation, etc.....
A good thing to do is to take a CD that you are very intimate with to listen to them on. Make sure that the store has a very nice unit for playing CD's, not some sham Walkman hooked up to a console! Play the CD and get yourself into the proper position to listen to the monitors, which for nearfields would be the speakers about 3-4 feet apart, and you that same distance from both speakers. You are forming a triangle here. That is the sweet spot of the speakers. Any farther then 3-4 feet and you start to get more of the "room" coming into play. There are other factors with distance from the speaker that come into play, but I won't go into them here. Just make sure you are listening to all the monitors in a proper listening environment.
Even though you may not buy them at a pro audio shop, you may want to go to one to listen to them. You can be assured that they will probably have a really good amp powering them, and the speakers will be placed right, and possibly that the room is suitable to accurately assessing the speakers.
Play your CD and LISTEN! Are you hearing at least as much, preferably MORE detail in the sound then you are used to in your main playback system at home? Does there seem to be any frequencies, or a range of them that are off balanced with the others? Do you wince at all while listening to them?
You will want to turn them up a bit too. You WILL need to monitor at louder levels from time to time, and you will want to know if those boxes start to sound really different with more power going to them.
A point I cannot emphasize enough about monitors is that EVERY company will say THEIRS are flat. Funny how they say that, but some other company claims that another companies monitors ARE NOT flat. Take that as a lesson about specs. Don't believe spec's!
Once you have those nice nifty new monitors, START LISTENING TO AS MUCH MUSIC AS YOU CAN THROUGH THEM!!!! Listen to everything! Your own recordings, professionally recorded CD's, etc......Try to use the same D/A converters at all times if possible.
The idea is that you need to "learn" your new monitors. You need to be intimately familiar with how well recorded CD's sound on them so you have a basis for you own work. I listen to very little music aside from my Events, and this helps me stay familiar with how they sound so my own productions sound more in line with professional work (well, I guess my work is professional because I get paid, but you know what I mean....).
Also, start peaking around in the Studio Design forum on this site and start learning about how your acoustical environment effects what you are doing. You can have some damn Meyers and they will sound like dog do in a badly treated room. Bad rooms mean unpredictable results from your monitors. I suppose you can "learn" your room too, even in good rooms you have to learn it, but why make things worse on yourself? Do some sound treatments, as much "proper" treatment as you can afford if you want to have some confidence in what you are hearing through your monitors. Refer to the thread "Foam behind monitors" in the Studio Design forum for more details about all this. It is a great thread so far.
Don't look for the cheapest monitor out their. There are usually perfectly good reasons why they are so cheap, and they are not good for your audio production work. Monitors are providing a "mechnical" transformation of sound, and they are your "ears" in the rest of your signal path. You don't need killer $5k monitors to have good ones, but I don't think less then a few hundred bucks is a good idea either.
Anyway, here I am carrying on, when all's that you wanted was to know what I use!
Ed