Well...for that kind of level...there really is no standard other than these days everyone wants LOUD!
To compete with current commercial stuff, no amount of EQ will get you there, you have to compress real hard to get the overall level up there, but you will kill your dynamics and the overall EQ will be changed by that heavy compression, making your mixes sound very tubby/pushed/hyped.
Some people like that...most actually don't. It’s hard on the ears.
Try light to moderate compression...which will raise the level somewhat but without mangling your music. It will still not be as LOUD as some commercial stuff...but so what, the listener will just turn up their volume as they like it anyway.
At least when they do turn up the volume for your lightly compressed mixes, they will still hear some decent audio...whereas the over-compressed mixes will just sound like shit.
Before you compress everything...see how much you can fix/adjust small, individual peaks that may be preventing you from raising the overall level…
without using compression. It's extra work going track by track and adjusting random nasty peaks...but you can save the music by doing that first instead of just hitting it hard with compression. Then check your EQ…and finally try the light/moderate compression and listen to the tonal change in the music…not just the level change.
Hitting hard with compression can be addictive ast first...but if you pay attention, you will hear how it alters the tone and not just the level.