Darsu said:
I've been wondering about this as well. If the frequency graph of these things is basically ruler-flat, then what's the functional difference between a Behringer and a Brüel & Kjær?
Good question. Some answers below:
The B&K mic is ruler-flat to a higher degree of flatness than the Behringers. The Behringers are probably having a +/-1dB tolerance in real life, and may change over time. Thus, two Behringer mics may have slightly different characteristics, and could potentially be off by maybe 2 dB when compared. (Note that 1dB is still quite good, but not for very critical use).
The Behringer mics are also much more noisy, and will not work in as wide a dynamic range as the B&K mics, that can (for some models) probably handle the sound pressure levels coming from a jet engine on 1m distance without distortion.
The B&K mics keep their sensitivity over a wide range of temperature, air pressure and humidity. The diaphragm does not deterioate in harsh environments. Once calibrated, they stay like that for a long time, and needs less frequent calibration. The Behringers need much more frequent calibration. The B&K mics can thus better be used for absolute measurements (i.e. determine the real Sound Pressure level).
The B&K mics also tend to distort very little, and does not add anything to the signal at all. The Behringers will distort much more (intermodulation). If you want to measure a loudspeaker frequency and impulse response, this is critical -- if the mic has a higher THD or IM, how can you say anything about the loudspeaker you're measuring?
The B&K mics will also have a very uniform circular polar pick-up pattern. The Behringer mics probably have a less uniform pattern.
The B&K mics are supported by a wide range of accessories, such as calibrators, that can help you keep them in top shape.
They are also manufactured with better material (e.g. nickel membranes versus electret material -- making a large difference in stability) and much smaller tolerances. And they are individually tested, verified and calibrated.
So, for critical and professional use, you need the B&K mics.
If you just want to find out how your room sounds and check the room modals, a Behringer mic is fine. Or if you want to do a rough setup of an 31-band EQ for live setup, they are also fine. Or if you want to check the response of a loudspeaker at home, where other factors are having a much larger influence than the measurement mic. Or if you simply don't want to risk that someone spoils your mic in a live setup.
I used to work with B&K, and had a short time also with the group that did the studio mics (now known as DPA).
I may be biased... but I actually have a pair of Behringers that are OK for my private use at home: Either as a "generic" omni SDC or as a "reference" for checking my monitors and room modals. But I would never consider using the Behringers for professional use. If you have millions invested in a really sound-dead room, you don't really want to save a few bucks on the most critical component in your measurement system, would you
Hope this helps?
-- Per.