spantini
COO of me, inc.
IIRC, the person setting up the poll has the option of allowing single or multiple selection. The OP could change it, but hasn't been seen since 2017.
I think my scenario is a tad unusual. I'm in my 22nd year of mixing audio for television and in so I've had my nose buried in Pro Tools 10 hours a day, 6 days a week. I found, however, and somewhere along the line, that for my personal music, I needed different "scenery" just to step away from the Work/Pro Tools world. No complaints about Pro Tools I just needed to leave work, at work. I tried everything I could get my hands on as an alternative DAW. For me, Studio One was simply the best and on par with Pro Tools and actually advanced in many areas. I also updated my Reason license which I hadn't used since v3. Back then Reason was more of a toy than anything. However, not the case now. The fact that the architecture is now open to third-party synths is massive. I think the midi environment in Reason is the best, most intuitive of all the current DAWs. Some of the "players" (chord sequencer, dual arpeggio) in Reason are also ultra-creative. I haven't done much audio but I really wonder if I was starting from scratch that Reason may now be a competitive all around DAW.Jon, I am sure the top people here will agree with me when I say any perceived improvement in sound quality is NOT due to the DAW.I've used the open source LMMS since 2020, but recently I've become aware of its limitations. OK, it's fast for getting things done, and it's very flexible, but there's something lacking in the sound somehow.
So... last Saturday morning, I downloaded the 3-month trial of Ableton Live 11 and worked through LNA's excellent YouTube stuff (she's a Certified Ableton Trainer, so it was a breeze). By Sunday night, I realised I'd be exporting all my MIDI, samples and instruments from LMMS into Ableton this coming weekend, and buying it when the trial runs out.
WHAT a difference, both in terms of facilities and sound quality!
I miss my ACID Pro 7. The subsequent versions from Magix didn't feel right. I'm very happy with Studio One and just upgraded to version 6.i have been using something called acid pro for sooooo long. like…20 years.
i have tried to use ableton, cubase, garageband, cakewalk…but they were not as professional or easy to use.
i was a contemporary music major and took 4 semesters of recording classes using protools.
protools is great for having every bell and whistle known to humankind, but it’s cpu heavy and overly busy for my simple projects.
acid multitracks, uses directx and vst plugins, easily automates, auto-crossfades (a MUST for me), and i was used to all of the keyboard functions.
i just got some free eq’s, verbs, and compressors, and that’s all i really need.
protools is way better for midi or midi controlled vocoder automation, but that is not really my style of music…so it’s perfect.
i’m sad no one really uses it. i have their video editor too. vegas.
it costs a few hundred, but to me it’s worth it. very compatible with onyx 400f, blackjack, presonus firestudio, and i’m about to get a zedi10fx.
Are you using any control surface like Faderport 16 or the StudioLive?I miss my ACID Pro 7. The subsequent versions from Magix didn't feel right. I'm very happy with Studio One and just upgraded to version 6.
I still have ACID Pro on my hard drive. I just can't let go. ?
No, just the mouse. I'm recording only me, not a band.Are you using any control surface like Faderport 16 or the StudioLive?
I use sonar 7 and Calkwalk before that. I just got Logic Pro and am wondering if I can go back to Sonar. LP seems to be clumsy and I am old and just used to Sonar.I learned on Sonar, so that's what I like. I tried Pro Tools, even bought a book to help learn. To steep a learning curve.
If I'd found this site first, I'd probably be using Reaper.
