jhbrandt
Acoustic Design
Styl,
Look into the GIK 244 for your corners. It will again make a huge difference. In a rectangular room you have 12 corners that you and use for bass trapping - not only the 4 vertical ones.
Rule on treating a room: Never let untreated surfaces face each other.
This doesn't mean to treat everything with absorption panels. A few angled plywood panels or curved panels (polys) or diffusors if you can afford it, will go a long way in making the room enjoyable as well as accurate.
If you have flutter echo, you still have flat surfaces facing each other.
Cheers,
John
Look into the GIK 244 for your corners. It will again make a huge difference. In a rectangular room you have 12 corners that you and use for bass trapping - not only the 4 vertical ones.

Rule on treating a room: Never let untreated surfaces face each other.
This doesn't mean to treat everything with absorption panels. A few angled plywood panels or curved panels (polys) or diffusors if you can afford it, will go a long way in making the room enjoyable as well as accurate.
If you have flutter echo, you still have flat surfaces facing each other.
Cheers,
John
Slat/slots is all they ever talk about. I'm a poly fan though. Afterall, its a no brainer RPG uses them in their test Lab to "measure" their "diffusion"
I mean, if the "polys" are already fully diffusing the lab, how do you tell if the test specimen is doing anything
.....see....

oops, I didn't mean use a poly in a vocal booth...although it depends how LARGE it is.
I'll be back with edited versions. Sorry.