roygbiv said:
So, if my budget went up to about $300, is there a mic that you could suggest that would handle both the low-mids and the high-mids with more "transparency"?
man, that's a real hard call without having heard your voice in person. what gives "clarity" to one voice can often introduce mud in another--much like you've noticed how the V67 works for some tracks and not so well for others. that's why we like to have a lot of mics.
sight-unseen, i'd prolly recommend you maybe try out one of the newer ADK mics (hamburg or vienna), or possibly one of the AT 40** series (4040 or 4060 spring to mind) mics, although the 4060's out of that range. people seem to like the mids in the AT's especially.
i like
my BLUE dragonfly on things that need strong mid-clarity with some high-end sheen.....but it's real hit or miss depending on the vocalist, voice and song.....and is also out of that $300 range.
the aforementioned V69 might give you good results too. it seems to have "more" of what people love about the V67 without some of the "issues". maybe the "issues" are overshadowed by the "toobeyness', i dunno.
you might have good luck with a good dynamic, too--an sm7, or an re20 or re38.
if you came to my studio and the V67 didn't work, and depending on what i heard in your voice and is needed for the song, in no particular order i'd try you on the Dragonfly, the V77 , and the EV RE38. one of those would be bound to give us a usable vocal track.
in the end, i'd go audition a couple mics and get one that you think works best. isn't that the way it always goes?
cheers,
wade