TV, animation EQing

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BigRay said:
do not goad him...please do not answer with anything resembling serious...


he is a troll. a TROLL.
Walters' not a troll, he's just... different
:D
 
BigRay said:
Timothy, do you like getting reeled into his game, or do you just not know that he isnt being at all serious?? Beware...
But MB compression so creamy yes. Surrender to the void resistance are futile Ray.

Tim
 
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Thanks Tim for the information

use an EQ along with the MB and roll things off whatever way sounds most like the TV.

A EQ in series? in parallel ? or in side chain? and why a extra EQ with the MB i thought the MB had multi- eqs internal ?
 
Why do you want it to sound like TV?

i like how it changes the sonic character,mix balance, gives a special colouration signature to the sound and its change the timbre of the mixdown or master 2 track i love that squash sound with the highs and lows cut out plus its own colouration,sonic character do u know what i mean Tim?

Another think i like is Multiband phasing how do i get the multi band to phase alot i hear it alot on old acid 60's bands
and the stereo mix has multiband phasing going on between the 2 speakers and sinces its multiband phasing there is alot
of holes,cancellations,its MIXES in the AIR alot its very random how the phase shifts come in and out of the 2 speakers
how do u think they did this Tim?

Back then they used tape phasing so would they do the tape phasing before with the thumb and duplicated master 2 track mix that down and then run the phasing mixdown through the multiband compressor/limiter?
When using the Thumb your not always phasing constant its irregular in and out of DRY and phasing with a phaser using a LFO
its constant sweeping up and down its way different
 
walters said:
Why do you want it to sound like TV? i like how it changes the sonic character,mix balance, gives a special colouration signature to the sound and its change the timbre of the mixdown or master 2 track i love that squash sound with the highs and lows cut out plus its own colouration,sonic character...
Ha-ha, well said. I bet you can heighten that by listening through one of those old 70s era plastic earpiece thingies - you know, the single earphones that came with the old transistor radios.

Another think i like is Multiband phasing...there is alot
of holes,cancellations,its MIXES in the AIR alot its very random how the phase shifts come in and out...
Cool. Almost as if it's squeezing your ears into different shapes like a funhouse mirror. To do that just make sure one band is always compressing way more than the others.

Dunno about the thumb/tape/flange thing. You better ask Harvey or Fletcher about that one.

Tim
 
Thanks Tim

If u automate or sweep the different bands compression rations and time constant would u get different Time Arrivals to your ears?

3 band MB limiter has high,mids,lows and compresses them but with a phase shifter before it or in its side chain can mess with "time arrivals" like example
the highs may sweep but some of the mids frequency are cancelling so u get holes and the low frequency Time arrivals alittle late so u get this alternating back and forth sweeping sound but at all 3 bands moving up and down and in and out
 
walters said:
If u automate or sweep the different bands compression rations and time constant would u get different Time Arrivals to your ears?

3 band MB limiter has high,mids,lows and compresses them but with a phase shifter before it or in its side chain can mess with "time arrivals" like example
the highs may sweep but some of the mids frequency are cancelling so u get holes and the low frequency Time arrivals alittle late so u get this alternating back and forth sweeping sound but at all 3 bands moving up and down and in and out
You should experiment with the different filters on the slim slow slider MB. One setting is for phase-linear filters, the other isn't.

Maybe post a clip of the effect you're getting. Do you write songs?

Tim
 
Do you have a GED?? USE PUNCTUATION YOU IDIOT.


walters said:
Why do you want it to sound like TV?

i like how it changes the sonic character,mix balance, gives a special colouration signature to the sound and its change the timbre of the mixdown or master 2 track i love that squash sound with the highs and lows cut out plus its own colouration,sonic character do u know what i mean Tim?

Another think i like is Multiband phasing how do i get the multi band to phase alot i hear it alot on old acid 60's bands
and the stereo mix has multiband phasing going on between the 2 speakers and sinces its multiband phasing there is alot
of holes,cancellations,its MIXES in the AIR alot its very random how the phase shifts come in and out of the 2 speakers
how do u think they did this Tim?

Back then they used tape phasing so would they do the tape phasing before with the thumb and duplicated master 2 track mix that down and then run the phasing mixdown through the multiband compressor/limiter?
When using the Thumb your not always phasing constant its irregular in and out of DRY and phasing with a phaser using a LFO
its constant sweeping up and down its way different
 
ray, it's just a way to kill time. walters is funny :)

poor guy has so much neg rep...
 
brendandwyer said:
ray, it's just a way to kill time. walters is funny :)

poor guy has so much neg rep...

I say we shower walters with green chicklets...whos with me?
 
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What does this phase-linear filters do thats different than the regular filters ?

Is the phase linear filters like a phase shifter network your adjusting the phase of the signal instead of the frequency?

And i heard to take the stereo mixdown master send it to a Multiband limiter and the output is MONO not Stereo
 
walters said:
What does this phase-linear filters do thats different than the regular filters ?

Is the phase linear filters like a phase shifter network your adjusting the phase of the signal instead of the frequency?

And i heard to take the stereo mixdown master send it to a Multiband limiter and the output is MONO not Stereo

Walters, the phase linear filter corrects the bias aspect negator, regular filters only corrects the aspect negator.

It is nothing like the phase shifter network. You're always adjusting your frequency.

You heard right! ALWAY send the mixdown master to the Multiband limiter, BUT only after you've run it through your linear filter phase negator. It will actually come out in Surround 5.1 if you do it right.
 
walters said:
And i heard to take the stereo mixdown master send it to a Multiband limiter and the output is MONO not Stereo
It's whatever you set it to. Well, actually only in the Northern hemisphere. In the Southern hemisphere when you select stereo you get mono, and vice versa. Something to do with the multiband crossovers and geoelectrical fields. Or was that the thing with how a toilet flush swirls... counterclocwise or clockwise depending where you are... I can't remember. It's one of those.

Post a clip Walters. We want to hear your stuff. You're in the green now.

Tim
 
Timothy Lawler said:
It's whatever you set it to. Well, actually only in the Northern hemisphere. In the Southern hemisphere when you select stereo you get mono, and vice versa. Something to do with the multiband crossovers and geoelectrical fields. Or was that the thing with how a toilet flush swirls... counterclocwise or clockwise depending where you are... I can't remember. It's one of those.

Post a clip Walters. We want to hear your stuff. You're in the green now.

Tim

The Coriolis effect. Apparently toilets dont do this, because they are too small to be effected. The Coriolis effect does cause movement of air masses and large effects.
 
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