lol ... GREAT review, Jordan ... you painted a perfect picture. AND ... Gilmourish is exactly the model for the lead guitar part.
One of the things learned by years of doing this (I'm an 80s musician vs a 60s one) is that you really can't fit everything in and keep it all sounding cohesive ... something has to give to "make room" in a mix.
This mix (as you know) is already dense. Believe it or not, there are tracks w/ dirty crunchy guitar that I've muted, because it didn't add anything important or critical to the sonic arrangement. It was just another thing to try to account for.
In a "less is more" sort of way, I had to cut out a shitload of additional stuff that simply might have been "nice", but the addition screamed "where the hell did that come from?"
I tried to adhere to the concept of a truly "live" performance by a real band, versus introducing a bank of dirty guitars that didn't appear previously.
The things that remain could then be played live ... even if I never will ever do it ... because they were deemed elemental to the overall presentation.
There's only so much sonic space between the speakers ... and to achieve cleanliness in a mix, decisions (sometimes hard ones) must be made.
It's a shaky balance beam walked when mixing ...
Kev-