Tired of the POD! Amp Help

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riccol

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O.K. for some time my electric guitar stuff has been done with a POD due to not being able to crank up and amp and mic it because of the location of my little office/studio.
I know some guys use some low watt amps and get good results.
Cannot find a thread dealing with this (Maybe I searched the wrong words)

Any suggestions on amps that might work at least better than the POD?
 
What type of guitar sounds are you using? Clean? Half dirty? Full on disortion?
 
Mostly blues stuff --no full on distsortion.
Fender twin type sound.
 
Why not try the little Fender Blues Jr or the Gibson GoldTone amps?
 
Look around for an old Fender Princeton. Low watts, big sound. Then- consider building a "monster in a box". I started with a heavy plywood shipping crate. I got it for $5 on ebay, and then paid $35 to ship a shipping crate (life sucks sometimes). I lined the inside with 2 layers of heavy carpet remnants and a layer of Auralex foam I had lying around. Then I used a couple of spade bits, drilled three holes in it. Using cable clamps, I hard wired it with one power cord, one short mic cable, and one short 1/4"TS speaker cable, then attached a female to female adaptor to the end of the 1/4" cable. That way you have power for the amp, a mic cable, and a 1/4" cable for an extension cab. I mounted some hinges to the lid, and a couple of heavy duty hasps to keep it shut tight. The shipping crate is mounted to a pallette, which reduces bass transmission to the flloor.
I don't live in an apartment, and I can make all the noise I want. I was just trying to increase isolation. It will not make the amp silent by any means, but it will greatly reduce the noise level, and will also reduce mic bleed. Make sure the box is big enough to allow the amp to breathe a little, and make the cable holes enough bigger than the connectors to dissipate heat from tubes, and give enough ventilation to allow the amp to move air. Also allow enough room for a desk stand or kick drum stand and the mic.
Sometimes I use an amp, and sometimes I use the POD plugged into a power amp into a cab. I think you'll find the POD is a whole different animal when you use it to drive a power amp and a cab, and mic the cab up. Sometimes I just jack the POD into a powered studio monitor and mic the monitor up. If you do that in "the box", you're neighbors most likely won't even know you are home..-Richie
 
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Yea the blues Jr. has got my attention --- going to try one tommorrow if I can find on in the area
 
You know the POD through my monitors is something I thought about!!!
I thought about asking that in a thread --- I'll try that!!
 
I find just one monitor, or a sub and one main works pretty well. When I tried both monitors, I ran into phase issues. Place the mic about 2 feet from the monitor, and listen through headphones. Near field monitors don't fill the room with sound, and it won't sound very good unless you are listening in the near field. The cans will tell you what the mic is hearing-Richie
 
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Your best bet is the blues jr or a pro junior if thats the sound youre after. Guitar Center just started selling the limited edition Tweed NOS version of the Blues Jr. with the Jensen speaker in it that sounds warmer than the original BJr. Its also very cool looking.

Try one out.
 
The PODs suck for clean and dirty blues type tones. The Blues JR will completely kick it's ass for that kind of stuff.
 
I use a Fender Champ. It's surprisingly good, considering it's solid state. I have the dsp one, and keep the effects knob on reverb+delay. I love the sound that it can put out. Combined with my Crybaby and RAT for leads, the thing is a tiny tone workhouse. the only thing holding it back is the 10" speaker, but maybe you don't need anything bigger. It's a mere 30 watts SS and was $229. Excellent deal, IMO.
 
Alllrighty then!! I tried out the Blue JR. --- DAT WORKS!!!
Now just gotta come up with the funds -- lets see what can I put on Ebay!?
 
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