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slobbermonster
New member
well I own a C1 and a B1 and if they sounded great they would get more use but since I use my ears and not my budget to judge, they just don't cut the mustard. I honestly wish they were great. They are mearly ok.
Believe me I wanted SP mics to do better, they just didn't.
I can get good sounds out of the c1 or b1 but I get great sounds out of my better mics. I've had all kinds of people compare the c1, b1 against other mics and no one ever pics the SP mics in blind tests. I mean Never ever ever, I've had my pro buddies listen and I've had total laymen listen and the SP mics are NEVER picked. Now the only 2 tests I did were with solo guitar and solo voice with a good singer and the SP blew chunks.I've seen masters get great sound out of the doggiest of mics. That you can't get good sound out of your C1 just indicates to me that you don't know HOW.
Believe me I wanted SP mics to do better, they just didn't.
That's not true at least it's not true for lead vocals or critical lead instruments. How long have you been working for Studio Projects?And you want to know a dirty little secret? The C1 is being used in place of the Neumann in pro studios all over the country. And VERY FEW people -- including the record companies -- can tell the difference.