Wow, a lot of homework here, and I still haven't graded Wes's book report yet.
Oh no, the A word again.

Just to be clear, I never said that I never use Autotune *gasp* (Kramer leaves to go delete his illegal Macle sites.

) I've admitted it here before, so it's no big news. But, I don't think this is what WATYF is hearing because he would be hearing it on Despair as well. I'm not saying I like Autotune, and it's better to not have to use it, but it comes in handy when something's out of tune

, so I'm not gonna not use it just to be a purist. In that case, no multiple takes, no punching, no comping, no layering, no editing, no EQ, no reverb, no delay, no compression, no nothing, which would eliminate pretty much all the great pop records as well as the shitty ones. I think there are a lot worse things then using Autotune, and in trying to compete with "real" recordings. in which they've got every advantage and then some, I'm gonna do what I can recording at home. WATYF, you could very well be right that this artificialness you're hearing is something that shouldn't be there or could be improved by a pro who knew what they were doing, but I have to say that I hear a lot of pro songs that sound really artificial, from obvious vocal tuning to just an all around artificial sound. I appreciate your feedback on this, as well as others who mentioned it. So, anyway, I hope you don't think I'm a whore, but if I am, I am a stupid one, cuz I keep giving it away for free.
Macle
P.S. I know the A word is a volatile subject, so I hope this thread doesn't turn into an argument about that, I've got to get back to Wes's thesis on our music, which is way more interesting!