Load away.
In my phones, the bottom is tight; in my monitors, I think I hear what you're talking about.
This is only a sketch of the work. It'll have an 'opus'...'conducted' free time...stating the later themes, and a whole lot of freaky progressions. And it'll include strings, horns, reeds...different textures as the song progresses.
I got a few hanging inner voices to connect up. Some of the chords are incomplete....leaving space for answering and counterpoint lines in the orchestra.
What I'm hoping to know is if it holds interest, parts of the progression that hit a listener as 'strange', length, parts repitition, anything that misleads the ear, or conflicts. And , of course, any way that I can improve the raw sound of the fake piano.
This started out as a James Taylor-ish acoustic song. But I hear it like John Williams. If I can get good sounds symphony out of my dino-synth, maybe I can get it hooked up for a TV show or something. Going with the muse...and da money. Arf!
But it's the first recording I've done in a few months.....and I felt compelled to throw something up, cuz I been ragging on everybody else.....