Flatpicker said:
Keep in mind that the type of preamplifier you use will have more to do with how a dynamic mic sounds than a condenser mic.
What about ribbons? They are passive too, right? Are they more dependent on preamps like dynamics?
I'm thinking about the "blind taste test" I took today on all those mics. All the samples are spoken voice. If I like a mic for spoken voice, will I necessarily like it on vocals? Or does singing change everything even if we're talking about the same person's voice?
I think to start, I will lay down a couple of tracks with the mic I already have, an EV N/D 767a, as a reference point. I also have an ATM25 for
my Chapman Stick's bass cab, but I wouldn't expect that to work too well on my voice (what the heck, maybe I'll try it anyway).
Then I think I'm going to order a 57 (since I liked it in the blind taste test) along with a Shinybox ribbon or similar. Once I've tried those, I'll proceed to the big boys (SM7, RE20, etc.) if I still don't like what I hear. It's only my own voice that I'll be recording, so I'm not too concerned about versatility.
Thanks for all the info. Wish me luck.