i'm confused about what a buffer is...but what i'm gathering is that if i want to use this piezo/contact oyster transducer then i need a DI or a piezo pre-amp, or even a bypassed boss stomp. so my signal would be: transducer->preamp/DI/pedal->compressor->computer?
Yes, except we're talking about live sound, right?... so the last stage would be amplification rather than recording device.
The chain I use... piezo -> bluetube pre HiZ 1/4" input -> RNC compressor -> guitar amp. I use a verb unit between the RNC and gtr amp too, but that's not really relevant to the subject. I generally don't use the piezo for recording as it's kind of generic sounding compared to a mic. (Sorry mshil.
jab, jab) But if I did I wouldn't include the compressor or verb in the chain... I'd process later w/software.
mshilarious, I have no idea why a stomp box on bypass works so well as a buffer with the Dean Markley piezo. But any of my stomp boxes, not just the Boss stuff actually, works... it's an EE mystery.
NationalSandwic, if I use a stomp box as the buffer, it just replaces the bluetube pre and my chain is piezo -> stomp box -> RNC compressor -> guitar amp.
About buffers.... here's a simple and subjective description: If the piezo is plugged directly into a guitar amp it sounds harsh and thin... a buffer is any device put between the piezo and amp that makes it sound full and rich.
When I use my Calif Blonde, since it has an input made for piezos sometimes I'll just go from the piezo to the amp, using the RNC with the amp's insert jacks. Usually though, I use the first chain described above and use the "non piezo" input on the Calif Blonde. I like to have the Calif Blonde as far away from me as possible and it makes for simpler cabling and easier control I keep all the processing gear close to me and the amp far away.
Tim