re mastering old songs

  • Thread starter Thread starter Doug H
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Doug H

Doug H

I'll be there
Must be over a decade since I posted a song here, haven't done much recording in a while beyond the odd live jam.

A year or two back I bought the LURS mastering console JFTFOI, played around with it for a bit then forgot about it. I used to "master" in Audacity way back, not ideal, mostly just used it to try and squeeze a few more db out of a mix.

Fast forward to a few weeks ago and I picked up some Adam's D3V's (love them) for the non "studio" computer desk and started booting up old mixes to see what I could do. I can't remember what I mixed on my 6" Events, that now have a blown tweeter from Windows booting up, but most of the mixes are pretty bad lol. Probably a mix of no talent, bad monitoring, and Audacity being an offline editor.

After playing around with the LURS console, I can't say enough about having dedicated mastering software on hand. I kind of had to use the EQ to remix but in any case it's been eye opening, and there are probably better tools out there.

So I found a reasonable master of a song (no decent pre master mix). It's over compressed and pushes treble hard to bring the vox and cymbals out. It's a little bombastic at the start with the bright guitars but I think makes a bit more sense once the song gets going.

Anyhow, curious how it translates, and if maybe any of the OG are still hanging around?

 
Anyhow, curious how it translates, and if maybe any of the OG are still hanging around?
The guitars are useless and over compressed and over distorted - and it sounds like the guitarist mixed the finals - on another note there is separation between the instruments/vocals and it sounds good at the base - it’s just that the guitars are mixed way to loud distorted.
 
Yep, us guitarists like to put ourselves out front (guilty myself). :ROFLMAO:

I agree with Papanate's comments and would extend that to the cymbals and hi hat (when it isn't closed). When there is a lot of open hi-hat or cymbal crashes it almost sounds like loud hiss rather than brass. Curious what the original mix sounds like?
 
Curious what the original mix sounds like?
It's a sludge fest. I may have had my Events at the time but probably mixed it on lousy desktop monitors and then managed to make it even worse from there.

I may have overdid it pushing the top end: I figured the vox is the focus so I prioritized that. I thought the bright edgy guitars might get away with being sorta gitchy as compressed as the track is, it is too much though for sure.
 

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